On Love and the Canon: H.D., Robert Duncan, and “Venice-Venus”
Robert Duncan’s The H.D. Book offers an alternative literary history of modernism and contemporary poetry that moves H.D., Pound, Lawrence and Williams to its center, and that thus positions poets influenced by these four (including himself) as foundational to the post-WWII era. He also offers a nar...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2020-12-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/9912 |
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| author | Lara Vetter |
| author_facet | Lara Vetter |
| author_sort | Lara Vetter |
| collection | DOAJ |
| description | Robert Duncan’s The H.D. Book offers an alternative literary history of modernism and contemporary poetry that moves H.D., Pound, Lawrence and Williams to its center, and that thus positions poets influenced by these four (including himself) as foundational to the post-WWII era. He also offers a narrative of H.D.’s career that elevates her poetry over her prose, which he sees as impure, mired in venery. For Duncan, Venice and Venus are at the heart of the problem with H.D.’s “Venetian” middle career. This paper will plumb representations of Venice and Venus in H.D.’s Trilogy and Duncan’s “The Venice Poem,” demonstrating how what H.D. termed “Venice-Venus” is central to Duncan’s notion of the modern American literary canon. |
| format | Article |
| id | doaj-art-410b2cb9d13443c9bf6f1ebfe109253d |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2020-12-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-410b2cb9d13443c9bf6f1ebfe109253d2025-01-30T13:47:08ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022020-12-012910.4000/sillagescritiques.9912On Love and the Canon: H.D., Robert Duncan, and “Venice-Venus”Lara VetterRobert Duncan’s The H.D. Book offers an alternative literary history of modernism and contemporary poetry that moves H.D., Pound, Lawrence and Williams to its center, and that thus positions poets influenced by these four (including himself) as foundational to the post-WWII era. He also offers a narrative of H.D.’s career that elevates her poetry over her prose, which he sees as impure, mired in venery. For Duncan, Venice and Venus are at the heart of the problem with H.D.’s “Venetian” middle career. This paper will plumb representations of Venice and Venus in H.D.’s Trilogy and Duncan’s “The Venice Poem,” demonstrating how what H.D. termed “Venice-Venus” is central to Duncan’s notion of the modern American literary canon.https://journals.openedition.org/sillagescritiques/9912poetrysexualitymodernismcanonloveH.D. |
| spellingShingle | Lara Vetter On Love and the Canon: H.D., Robert Duncan, and “Venice-Venus” Sillages Critiques poetry sexuality modernism canon love H.D. |
| title | On Love and the Canon: H.D., Robert Duncan, and “Venice-Venus” |
| title_full | On Love and the Canon: H.D., Robert Duncan, and “Venice-Venus” |
| title_fullStr | On Love and the Canon: H.D., Robert Duncan, and “Venice-Venus” |
| title_full_unstemmed | On Love and the Canon: H.D., Robert Duncan, and “Venice-Venus” |
| title_short | On Love and the Canon: H.D., Robert Duncan, and “Venice-Venus” |
| title_sort | on love and the canon h d robert duncan and venice venus |
| topic | poetry sexuality modernism canon love H.D. |
| url | https://journals.openedition.org/sillagescritiques/9912 |
| work_keys_str_mv | AT laravetter onloveandthecanonhdrobertduncanandvenicevenus |