Enhancing heritage fruition through 3D virtual models and augmented reality: an application to Roman artefacts

The spatial characteristics of museum exhibitions may limit visitors’ experience of the artefacts on display. In the case of large artefacts, limited space may affect their whole visualization, or inhibit the visualization of the details farthest from the observer. In other cases, the storage of art...

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Main Authors: Francesco Gherardini, Mattia Santachiara, Francesco Leali
Format: Article
Language:English
Published: Universitat Politècnica de València 2019-07-01
Series:Virtual Archaeology Review
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Online Access:https://polipapers.upv.es/index.php/var/article/view/11918
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author Francesco Gherardini
Mattia Santachiara
Francesco Leali
author_facet Francesco Gherardini
Mattia Santachiara
Francesco Leali
author_sort Francesco Gherardini
collection DOAJ
description The spatial characteristics of museum exhibitions may limit visitors’ experience of the artefacts on display. In the case of large artefacts, limited space may affect their whole visualization, or inhibit the visualization of the details farthest from the observer. In other cases, the storage of artefacts in distant sites (museums or archaeological areas) may influence their knowledge process or the possibility for comparative analysis. Moreover, the precarious state of preservation of some artefacts, with damaged or missing parts, makes it difficult to perceive their original appearance. To overcome these limitations, we propose an integrated approach based on 3D virtual models and Augmented Reality (AR) to enhance the fruition of artefacts, improving their visualization, analysis and personal/shared knowledge, also by overcoming space and time constraints. The final AR application is an easily accessible tool for most users from a mobile device, used both inside and outside museums, opening new perspectives for fruition. The framework encourages the use of free and open source software and standard devices, to maximize their dissemination and exploit the potential of such technologies, which is far greater than current use in the cultural heritage field. Selected case studies to test and validate the integrated framework are proposed, dealing with some Roman artefacts found in the area of Modena (Italy). The first is a Roman floor mosaic, found in Savignano sul Panaro (near Modena) in 2011, of which less than half of its original 4.5 x 6.9 m surface is preserved. The others are two Roman funerary lion sculptures: the first is one of two lions flanking the main door of Modena Cathedral, and the second, well-preserved but damaged, is housed in the Museo Lapidario Estense of Modena. Finally, the application was tested by museum experts and visitors both inside and outside the museum, and positively assessed. Highlights: • Digital practice is not understood as a prerogative of a small number of people, but as a tool to guarantee and expand artefact fruition, using standard devices and free and open source software. • Experimentation of new settings to re-contextualize artefacts and establish possible links among them, offering engaging and customized experiences to improve their accessibility and enjoyment. • Promotion of artefact fruition not only in but also outside museums, such as in a classroom or an open and shared space, opening to new approaches in the fruition of cultural heritage.
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spelling doaj-art-40d101d1624e4f69a9dc1b9b4af0a6c62025-08-20T02:44:02ZengUniversitat Politècnica de ValènciaVirtual Archaeology Review1989-99472019-07-011021677910.4995/var.2019.119187574Enhancing heritage fruition through 3D virtual models and augmented reality: an application to Roman artefactsFrancesco Gherardini0Mattia Santachiara1Francesco Leali2University of Modena and Reggio EmiliaSantascoUniversity of Modena and Reggio EmiliaThe spatial characteristics of museum exhibitions may limit visitors’ experience of the artefacts on display. In the case of large artefacts, limited space may affect their whole visualization, or inhibit the visualization of the details farthest from the observer. In other cases, the storage of artefacts in distant sites (museums or archaeological areas) may influence their knowledge process or the possibility for comparative analysis. Moreover, the precarious state of preservation of some artefacts, with damaged or missing parts, makes it difficult to perceive their original appearance. To overcome these limitations, we propose an integrated approach based on 3D virtual models and Augmented Reality (AR) to enhance the fruition of artefacts, improving their visualization, analysis and personal/shared knowledge, also by overcoming space and time constraints. The final AR application is an easily accessible tool for most users from a mobile device, used both inside and outside museums, opening new perspectives for fruition. The framework encourages the use of free and open source software and standard devices, to maximize their dissemination and exploit the potential of such technologies, which is far greater than current use in the cultural heritage field. Selected case studies to test and validate the integrated framework are proposed, dealing with some Roman artefacts found in the area of Modena (Italy). The first is a Roman floor mosaic, found in Savignano sul Panaro (near Modena) in 2011, of which less than half of its original 4.5 x 6.9 m surface is preserved. The others are two Roman funerary lion sculptures: the first is one of two lions flanking the main door of Modena Cathedral, and the second, well-preserved but damaged, is housed in the Museo Lapidario Estense of Modena. Finally, the application was tested by museum experts and visitors both inside and outside the museum, and positively assessed. Highlights: • Digital practice is not understood as a prerogative of a small number of people, but as a tool to guarantee and expand artefact fruition, using standard devices and free and open source software. • Experimentation of new settings to re-contextualize artefacts and establish possible links among them, offering engaging and customized experiences to improve their accessibility and enjoyment. • Promotion of artefact fruition not only in but also outside museums, such as in a classroom or an open and shared space, opening to new approaches in the fruition of cultural heritage.https://polipapers.upv.es/index.php/var/article/view/11918virtual modellingimage-based reconstructionaugmented reality (ar)real-time visualizationvirtual museumroman archaeological objects
spellingShingle Francesco Gherardini
Mattia Santachiara
Francesco Leali
Enhancing heritage fruition through 3D virtual models and augmented reality: an application to Roman artefacts
Virtual Archaeology Review
virtual modelling
image-based reconstruction
augmented reality (ar)
real-time visualization
virtual museum
roman archaeological objects
title Enhancing heritage fruition through 3D virtual models and augmented reality: an application to Roman artefacts
title_full Enhancing heritage fruition through 3D virtual models and augmented reality: an application to Roman artefacts
title_fullStr Enhancing heritage fruition through 3D virtual models and augmented reality: an application to Roman artefacts
title_full_unstemmed Enhancing heritage fruition through 3D virtual models and augmented reality: an application to Roman artefacts
title_short Enhancing heritage fruition through 3D virtual models and augmented reality: an application to Roman artefacts
title_sort enhancing heritage fruition through 3d virtual models and augmented reality an application to roman artefacts
topic virtual modelling
image-based reconstruction
augmented reality (ar)
real-time visualization
virtual museum
roman archaeological objects
url https://polipapers.upv.es/index.php/var/article/view/11918
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AT mattiasantachiara enhancingheritagefruitionthrough3dvirtualmodelsandaugmentedrealityanapplicationtoromanartefacts
AT francescoleali enhancingheritagefruitionthrough3dvirtualmodelsandaugmentedrealityanapplicationtoromanartefacts