Le passé sans l’histoire. Vers une anthropologie culturelle du temps
Historians live in the belief that history and memory are the only modes of existence of the past in society, and that the way we use the past is essentially ideological and patrimonial. But the fact is that the past appears in a large number of works of art and practices devoid of any historicity,...
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| Format: | Article |
| Language: | fra |
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Pléiade (EA 7338)
2010-11-01
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| Series: | Itinéraires |
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| Online Access: | https://journals.openedition.org/itineraires/1808 |
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| _version_ | 1850150201058131968 |
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| author | Gil Bartholeyns |
| author_facet | Gil Bartholeyns |
| author_sort | Gil Bartholeyns |
| collection | DOAJ |
| description | Historians live in the belief that history and memory are the only modes of existence of the past in society, and that the way we use the past is essentially ideological and patrimonial. But the fact is that the past appears in a large number of works of art and practices devoid of any historicity, as an aesthetic and dramatic category. Working from empirical material (films, screenplays and role-playing games), we are able to observe how an interest in the past (with emphasis on the Middle Ages) may be quite remote from an interest in what has really happened. |
| format | Article |
| id | doaj-art-3e0eceaf6f9f43b3a102a36933b8690a |
| institution | OA Journals |
| issn | 2427-920X |
| language | fra |
| publishDate | 2010-11-01 |
| publisher | Pléiade (EA 7338) |
| record_format | Article |
| series | Itinéraires |
| spelling | doaj-art-3e0eceaf6f9f43b3a102a36933b8690a2025-08-20T02:26:37ZfraPléiade (EA 7338)Itinéraires2427-920X2010-11-0120103476010.4000/itineraires.1808Le passé sans l’histoire. Vers une anthropologie culturelle du tempsGil BartholeynsHistorians live in the belief that history and memory are the only modes of existence of the past in society, and that the way we use the past is essentially ideological and patrimonial. But the fact is that the past appears in a large number of works of art and practices devoid of any historicity, as an aesthetic and dramatic category. Working from empirical material (films, screenplays and role-playing games), we are able to observe how an interest in the past (with emphasis on the Middle Ages) may be quite remote from an interest in what has really happened.https://journals.openedition.org/itineraires/1808fictionMiddle Agespast versus historymodes of historicityfilmlive action role-playing game |
| spellingShingle | Gil Bartholeyns Le passé sans l’histoire. Vers une anthropologie culturelle du temps Itinéraires fiction Middle Ages past versus history modes of historicity film live action role-playing game |
| title | Le passé sans l’histoire. Vers une anthropologie culturelle du temps |
| title_full | Le passé sans l’histoire. Vers une anthropologie culturelle du temps |
| title_fullStr | Le passé sans l’histoire. Vers une anthropologie culturelle du temps |
| title_full_unstemmed | Le passé sans l’histoire. Vers une anthropologie culturelle du temps |
| title_short | Le passé sans l’histoire. Vers une anthropologie culturelle du temps |
| title_sort | le passe sans l histoire vers une anthropologie culturelle du temps |
| topic | fiction Middle Ages past versus history modes of historicity film live action role-playing game |
| url | https://journals.openedition.org/itineraires/1808 |
| work_keys_str_mv | AT gilbartholeyns lepassesanslhistoireversuneanthropologieculturelledutemps |