« Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch
Written and performed separately between 2003 and 2012, I, Malvolio; I, Banquo; I, Caliban; I, Peaseblossom; I, Cinna (The Poet) give voice to characters from Twelfth Night, or What you will, Macbeth, The Tempest, A Midsummer Night’s Dream and Julius Caesar. These plays are usually regarded as educa...
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Format: | Article |
Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2022-01-01
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Series: | Sillages Critiques |
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Online Access: | https://journals.openedition.org/sillagescritiques/12790 |
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author | Virginie Yvernault |
author_facet | Virginie Yvernault |
author_sort | Virginie Yvernault |
collection | DOAJ |
description | Written and performed separately between 2003 and 2012, I, Malvolio; I, Banquo; I, Caliban; I, Peaseblossom; I, Cinna (The Poet) give voice to characters from Twelfth Night, or What you will, Macbeth, The Tempest, A Midsummer Night’s Dream and Julius Caesar. These plays are usually regarded as educational works: successfully performed in high schools in the United Kingdom, they would constitute a kind of playful initiation into the work of Shakespeare. The purpose of this article is to show that this uncommon dramatic assembly, written and directed by Tim Crouch with the more or less active participation of his audience, offers an educational introduction to Shakespeare’s work at least as much as it constitutes a prologue to what one would be tempted to consider as a shakespearian reading of the world. |
format | Article |
id | doaj-art-3cda41aa703a4665b8ff663978076275 |
institution | Kabale University |
issn | 1272-3819 1969-6302 |
language | English |
publishDate | 2022-01-01 |
publisher | Centre de Recherche "Texte et Critique de Texte" |
record_format | Article |
series | Sillages Critiques |
spelling | doaj-art-3cda41aa703a4665b8ff6639780762752025-01-30T13:47:13ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022022-01-013110.4000/sillagescritiques.12790« Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim CrouchVirginie YvernaultWritten and performed separately between 2003 and 2012, I, Malvolio; I, Banquo; I, Caliban; I, Peaseblossom; I, Cinna (The Poet) give voice to characters from Twelfth Night, or What you will, Macbeth, The Tempest, A Midsummer Night’s Dream and Julius Caesar. These plays are usually regarded as educational works: successfully performed in high schools in the United Kingdom, they would constitute a kind of playful initiation into the work of Shakespeare. The purpose of this article is to show that this uncommon dramatic assembly, written and directed by Tim Crouch with the more or less active participation of his audience, offers an educational introduction to Shakespeare’s work at least as much as it constitutes a prologue to what one would be tempted to consider as a shakespearian reading of the world.https://journals.openedition.org/sillagescritiques/12790adaptationShakespeare (William)Crouch (Tim)receptionhistory on the contemporary stage |
spellingShingle | Virginie Yvernault « Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch Sillages Critiques adaptation Shakespeare (William) Crouch (Tim) reception history on the contemporary stage |
title | « Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch |
title_full | « Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch |
title_fullStr | « Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch |
title_full_unstemmed | « Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch |
title_short | « Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch |
title_sort | tout est dedans remarques sur la matrice shakespearienne a propos d i shakespeare de tim crouch |
topic | adaptation Shakespeare (William) Crouch (Tim) reception history on the contemporary stage |
url | https://journals.openedition.org/sillagescritiques/12790 |
work_keys_str_mv | AT virginieyvernault toutestdedansremarquessurlamatriceshakespearienneaproposdishakespearedetimcrouch |