« Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch

Written and performed separately between 2003 and 2012, I, Malvolio; I, Banquo; I, Caliban; I, Peaseblossom; I, Cinna (The Poet) give voice to characters from Twelfth Night, or What you will, Macbeth, The Tempest, A Midsummer Night’s Dream and Julius Caesar. These plays are usually regarded as educa...

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Main Author: Virginie Yvernault
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2022-01-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/12790
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author Virginie Yvernault
author_facet Virginie Yvernault
author_sort Virginie Yvernault
collection DOAJ
description Written and performed separately between 2003 and 2012, I, Malvolio; I, Banquo; I, Caliban; I, Peaseblossom; I, Cinna (The Poet) give voice to characters from Twelfth Night, or What you will, Macbeth, The Tempest, A Midsummer Night’s Dream and Julius Caesar. These plays are usually regarded as educational works: successfully performed in high schools in the United Kingdom, they would constitute a kind of playful initiation into the work of Shakespeare. The purpose of this article is to show that this uncommon dramatic assembly, written and directed by Tim Crouch with the more or less active participation of his audience, offers an educational introduction to Shakespeare’s work at least as much as it constitutes a prologue to what one would be tempted to consider as a shakespearian reading of the world.
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publishDate 2022-01-01
publisher Centre de Recherche "Texte et Critique de Texte"
record_format Article
series Sillages Critiques
spelling doaj-art-3cda41aa703a4665b8ff6639780762752025-01-30T13:47:13ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022022-01-013110.4000/sillagescritiques.12790« Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim CrouchVirginie YvernaultWritten and performed separately between 2003 and 2012, I, Malvolio; I, Banquo; I, Caliban; I, Peaseblossom; I, Cinna (The Poet) give voice to characters from Twelfth Night, or What you will, Macbeth, The Tempest, A Midsummer Night’s Dream and Julius Caesar. These plays are usually regarded as educational works: successfully performed in high schools in the United Kingdom, they would constitute a kind of playful initiation into the work of Shakespeare. The purpose of this article is to show that this uncommon dramatic assembly, written and directed by Tim Crouch with the more or less active participation of his audience, offers an educational introduction to Shakespeare’s work at least as much as it constitutes a prologue to what one would be tempted to consider as a shakespearian reading of the world.https://journals.openedition.org/sillagescritiques/12790adaptationShakespeare (William)Crouch (Tim)receptionhistory on the contemporary stage
spellingShingle Virginie Yvernault
« Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch
Sillages Critiques
adaptation
Shakespeare (William)
Crouch (Tim)
reception
history on the contemporary stage
title « Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch
title_full « Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch
title_fullStr « Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch
title_full_unstemmed « Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch
title_short « Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch
title_sort tout est dedans remarques sur la matrice shakespearienne a propos d i shakespeare de tim crouch
topic adaptation
Shakespeare (William)
Crouch (Tim)
reception
history on the contemporary stage
url https://journals.openedition.org/sillagescritiques/12790
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