Une analyse d’une production de discours rapporté : l’introduction des tours de parole dans “Hills Like White Elephants” d’Ernest Hemingway
Hemingway’s short story, “Hills Like White Elephants”, is largely built around a reported dialogue involving two main characters. Although many critical studies have been devoted to this short story, focusing especially on Hemingway’s style, this paper seeks to explore a relatively neglected theme,...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2010-09-01
|
| Series: | E-REA |
| Subjects: | |
| Online Access: | https://journals.openedition.org/erea/1348 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1841552667033206784 |
|---|---|
| author | Grégoire LACAZE |
| author_facet | Grégoire LACAZE |
| author_sort | Grégoire LACAZE |
| collection | DOAJ |
| description | Hemingway’s short story, “Hills Like White Elephants”, is largely built around a reported dialogue involving two main characters. Although many critical studies have been devoted to this short story, focusing especially on Hemingway’s style, this paper seeks to explore a relatively neglected theme, namely the introduction of direct speech, which acquires significant importance in the reception of the short story.Thanks to the dialogue that materializes as an occurrence of reported speech produced by a reporter, we will study how the narrator chooses to introduce the various turns constituting the dialogue. This analysis, inscribed within the framework of an enunciative approach, aims at pointing out the stylistic devices used by the author. Both linguistic and semantic aspects will be taken into account as well as the specificities induced by the genre of the short story and their influence on the stylistic choices made by the author. The analysis will be backed up with statistical data related to the composition of the various structures introducing the characters’ words. |
| format | Article |
| id | doaj-art-3c006af07b914b8ab7dad2cf29832920 |
| institution | Kabale University |
| issn | 1638-1718 |
| language | English |
| publishDate | 2010-09-01 |
| publisher | Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) |
| record_format | Article |
| series | E-REA |
| spelling | doaj-art-3c006af07b914b8ab7dad2cf298329202025-01-09T12:53:26ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182010-09-018110.4000/erea.1348Une analyse d’une production de discours rapporté : l’introduction des tours de parole dans “Hills Like White Elephants” d’Ernest HemingwayGrégoire LACAZEHemingway’s short story, “Hills Like White Elephants”, is largely built around a reported dialogue involving two main characters. Although many critical studies have been devoted to this short story, focusing especially on Hemingway’s style, this paper seeks to explore a relatively neglected theme, namely the introduction of direct speech, which acquires significant importance in the reception of the short story.Thanks to the dialogue that materializes as an occurrence of reported speech produced by a reporter, we will study how the narrator chooses to introduce the various turns constituting the dialogue. This analysis, inscribed within the framework of an enunciative approach, aims at pointing out the stylistic devices used by the author. Both linguistic and semantic aspects will be taken into account as well as the specificities induced by the genre of the short story and their influence on the stylistic choices made by the author. The analysis will be backed up with statistical data related to the composition of the various structures introducing the characters’ words.https://journals.openedition.org/erea/1348turns-at-talkblurringerasing of reporting clausesenunciative sourceHemingway’s styleshort story |
| spellingShingle | Grégoire LACAZE Une analyse d’une production de discours rapporté : l’introduction des tours de parole dans “Hills Like White Elephants” d’Ernest Hemingway E-REA turns-at-talk blurring erasing of reporting clauses enunciative source Hemingway’s style short story |
| title | Une analyse d’une production de discours rapporté : l’introduction des tours de parole dans “Hills Like White Elephants” d’Ernest Hemingway |
| title_full | Une analyse d’une production de discours rapporté : l’introduction des tours de parole dans “Hills Like White Elephants” d’Ernest Hemingway |
| title_fullStr | Une analyse d’une production de discours rapporté : l’introduction des tours de parole dans “Hills Like White Elephants” d’Ernest Hemingway |
| title_full_unstemmed | Une analyse d’une production de discours rapporté : l’introduction des tours de parole dans “Hills Like White Elephants” d’Ernest Hemingway |
| title_short | Une analyse d’une production de discours rapporté : l’introduction des tours de parole dans “Hills Like White Elephants” d’Ernest Hemingway |
| title_sort | une analyse d une production de discours rapporte l introduction des tours de parole dans hills like white elephants d ernest hemingway |
| topic | turns-at-talk blurring erasing of reporting clauses enunciative source Hemingway’s style short story |
| url | https://journals.openedition.org/erea/1348 |
| work_keys_str_mv | AT gregoirelacaze uneanalyseduneproductiondediscoursrapportelintroductiondestoursdeparoledanshillslikewhiteelephantsdernesthemingway |