Modelul şi oglinda. E. Lovinescu „par lui même”

E. Lovinescu received his due acknowledgment as the main representative of the Romanian inter-bellum culture. His aesthetic criticism pleaded for the necessary modernization of our literature, by means of imitating salient Western models. Although his image in posterity represents a conglomerate of...

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Main Author: Antonio Patraș
Format: Article
Language:deu
Published: Editura Academiei Române 2012-12-01
Series:Revista de Istorie și Teorie Literară
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Online Access:https://ritl.ro/pdf/2012/8_A_Patras.pdf
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author Antonio Patraș
author_facet Antonio Patraș
author_sort Antonio Patraș
collection DOAJ
description E. Lovinescu received his due acknowledgment as the main representative of the Romanian inter-bellum culture. His aesthetic criticism pleaded for the necessary modernization of our literature, by means of imitating salient Western models. Although his image in posterity represents a conglomerate of mere clichés, the critic proves to be, under close-scrutiny, a complex theorist (even though, quite often, a rather contradictory one). He aimed to assess literature from a psycho[1]sociological point of view and to articulate a consistent theory on personality, with a particular focus on those processes that recur during our inner development. The branded ‘theory of forms without content’ served Lovinescu as a marvelous hypothesis to assess the emergence of Romanian modern civilization. Therefore, the critic’s coherent program hinted at the modernization of Romanian literature, centered upon theories such as ‘the primate of aesthetical value’ and the urge for ‘synchronization’. In any case, the harsh aestheticism proceeded rather uniformly, as a unifying agent, neglecting all virtual exceptions.
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spelling doaj-art-3a9dd7fee0dc44759a1c0bedac2401822025-01-03T21:49:53ZdeuEditura Academiei RomâneRevista de Istorie și Teorie Literară0034-83923061-42012012-12-0161-497112Modelul şi oglinda. E. Lovinescu „par lui même”Antonio Patraș0Universitatea „Alexandru Ioan Cuza”, IaşiE. Lovinescu received his due acknowledgment as the main representative of the Romanian inter-bellum culture. His aesthetic criticism pleaded for the necessary modernization of our literature, by means of imitating salient Western models. Although his image in posterity represents a conglomerate of mere clichés, the critic proves to be, under close-scrutiny, a complex theorist (even though, quite often, a rather contradictory one). He aimed to assess literature from a psycho[1]sociological point of view and to articulate a consistent theory on personality, with a particular focus on those processes that recur during our inner development. The branded ‘theory of forms without content’ served Lovinescu as a marvelous hypothesis to assess the emergence of Romanian modern civilization. Therefore, the critic’s coherent program hinted at the modernization of Romanian literature, centered upon theories such as ‘the primate of aesthetical value’ and the urge for ‘synchronization’. In any case, the harsh aestheticism proceeded rather uniformly, as a unifying agent, neglecting all virtual exceptions.https://ritl.ro/pdf/2012/8_A_Patras.pdfdogmatismpsychological criticismpersonalityaesthetic mutation
spellingShingle Antonio Patraș
Modelul şi oglinda. E. Lovinescu „par lui même”
Revista de Istorie și Teorie Literară
dogmatism
psychological criticism
personality
aesthetic mutation
title Modelul şi oglinda. E. Lovinescu „par lui même”
title_full Modelul şi oglinda. E. Lovinescu „par lui même”
title_fullStr Modelul şi oglinda. E. Lovinescu „par lui même”
title_full_unstemmed Modelul şi oglinda. E. Lovinescu „par lui même”
title_short Modelul şi oglinda. E. Lovinescu „par lui même”
title_sort modelul si oglinda e lovinescu par lui meme
topic dogmatism
psychological criticism
personality
aesthetic mutation
url https://ritl.ro/pdf/2012/8_A_Patras.pdf
work_keys_str_mv AT antoniopatras modelulsioglindaelovinescuparluimeme