Co-creative Media in Remote Indigenous Communities
This paper examines co-creative video outputs that have originated from, or relate to, remote Indigenous communities in Australia. Scholarly work on remote media has mostly operated at the interface of media studies and anthropology, seeking to identify how cultural systems shape the production, dis...
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| Format: | Article |
| Language: | English |
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Sciendo
2013-12-01
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| Series: | Cultural Science |
| Online Access: | https://doi.org/10.5334/csci.54 |
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| _version_ | 1823860413352116224 |
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| author | Rennie Ellie |
| author_facet | Rennie Ellie |
| author_sort | Rennie Ellie |
| collection | DOAJ |
| description | This paper examines co-creative video outputs that have originated from, or relate to, remote Indigenous communities in Australia. Scholarly work on remote media has mostly operated at the interface of media studies and anthropology, seeking to identify how cultural systems shape the production, distribution and reception of media in Aboriginal communities. This paper looks instead at content themes, funding sources and institutions during the 2010-2013 period, and examines the factors that may be determining the quantity of co-creative outputs, as well as the types of stories that get produced. I argue that the focus on culture has obscured important shifts in remote media policy and funding, including a trend towards content designed to address social disadvantage. |
| format | Article |
| id | doaj-art-3a7cf6b59c0c48658d13de436c06916e |
| institution | Kabale University |
| issn | 1836-0416 |
| language | English |
| publishDate | 2013-12-01 |
| publisher | Sciendo |
| record_format | Article |
| series | Cultural Science |
| spelling | doaj-art-3a7cf6b59c0c48658d13de436c06916e2025-02-10T13:26:38ZengSciendoCultural Science1836-04162013-12-0161223610.5334/csci.5454Co-creative Media in Remote Indigenous CommunitiesRennie Ellie0Swinburne University of TechnologyMelbourne, AustraliaThis paper examines co-creative video outputs that have originated from, or relate to, remote Indigenous communities in Australia. Scholarly work on remote media has mostly operated at the interface of media studies and anthropology, seeking to identify how cultural systems shape the production, distribution and reception of media in Aboriginal communities. This paper looks instead at content themes, funding sources and institutions during the 2010-2013 period, and examines the factors that may be determining the quantity of co-creative outputs, as well as the types of stories that get produced. I argue that the focus on culture has obscured important shifts in remote media policy and funding, including a trend towards content designed to address social disadvantage.https://doi.org/10.5334/csci.54 |
| spellingShingle | Rennie Ellie Co-creative Media in Remote Indigenous Communities Cultural Science |
| title | Co-creative Media in Remote Indigenous Communities |
| title_full | Co-creative Media in Remote Indigenous Communities |
| title_fullStr | Co-creative Media in Remote Indigenous Communities |
| title_full_unstemmed | Co-creative Media in Remote Indigenous Communities |
| title_short | Co-creative Media in Remote Indigenous Communities |
| title_sort | co creative media in remote indigenous communities |
| url | https://doi.org/10.5334/csci.54 |
| work_keys_str_mv | AT rennieellie cocreativemediainremoteindigenouscommunities |