Ficções da memória ou a memória da ficção: Dulce María Loynaz e Cecília Meireles

Dulce María Loynaz e Cecília Meireles are read as poets that share, with their singular poetics, a memorialistic and reflexive aesthetics, in the condition of sym- bolist poets untimely. This article thinks about temporality, knowledge and gene- alogy, main memory’s functions, and examines Últimos d...

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Main Author: Aimeé G. Bolaños
Format: Article
Language:Spanish
Published: Universidade de Brasília 2012-01-01
Series:Estudos de Literatura Brasileira Contemporânea
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Online Access:http://www.redalyc.org/articulo.oa?id=323127334007
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author Aimeé G. Bolaños
author_facet Aimeé G. Bolaños
author_sort Aimeé G. Bolaños
collection DOAJ
description Dulce María Loynaz e Cecília Meireles are read as poets that share, with their singular poetics, a memorialistic and reflexive aesthetics, in the condition of sym- bolist poets untimely. This article thinks about temporality, knowledge and gene- alogy, main memory’s functions, and examines Últimos días de una casa (1958) and Solombra (1963), poems-books on the problematic of the being in the temporality and the process of doing/undoing identity that occur, precisely, in the human time of memory. These poems of memorable fiction are studied in their different forms of composition and meanings when they pick up and preserve traces of of- fended, mutilated and deadly hurt memory in order to look at the pass and, also, to the future in a paradoxical poetics of a wasted and uninhabited memory.
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publishDate 2012-01-01
publisher Universidade de Brasília
record_format Article
series Estudos de Literatura Brasileira Contemporânea
spelling doaj-art-39a10bd9315f470e9243ccab3251fb3e2025-02-07T19:44:34ZspaUniversidade de BrasíliaEstudos de Literatura Brasileira Contemporânea1518-01582316-40182012-01-01408198Ficções da memória ou a memória da ficção: Dulce María Loynaz e Cecília MeirelesAimeé G. BolañosDulce María Loynaz e Cecília Meireles are read as poets that share, with their singular poetics, a memorialistic and reflexive aesthetics, in the condition of sym- bolist poets untimely. This article thinks about temporality, knowledge and gene- alogy, main memory’s functions, and examines Últimos días de una casa (1958) and Solombra (1963), poems-books on the problematic of the being in the temporality and the process of doing/undoing identity that occur, precisely, in the human time of memory. These poems of memorable fiction are studied in their different forms of composition and meanings when they pick up and preserve traces of of- fended, mutilated and deadly hurt memory in order to look at the pass and, also, to the future in a paradoxical poetics of a wasted and uninhabited memory.http://www.redalyc.org/articulo.oa?id=323127334007poetics of the memorytracessymbolismbrazilian and cuban poetrycecília meirelesdulce maria loynaz
spellingShingle Aimeé G. Bolaños
Ficções da memória ou a memória da ficção: Dulce María Loynaz e Cecília Meireles
Estudos de Literatura Brasileira Contemporânea
poetics of the memory
traces
symbolism
brazilian and cuban po
etry
cecília meireles
dulce maria loynaz
title Ficções da memória ou a memória da ficção: Dulce María Loynaz e Cecília Meireles
title_full Ficções da memória ou a memória da ficção: Dulce María Loynaz e Cecília Meireles
title_fullStr Ficções da memória ou a memória da ficção: Dulce María Loynaz e Cecília Meireles
title_full_unstemmed Ficções da memória ou a memória da ficção: Dulce María Loynaz e Cecília Meireles
title_short Ficções da memória ou a memória da ficção: Dulce María Loynaz e Cecília Meireles
title_sort ficcoes da memoria ou a memoria da ficcao dulce maria loynaz e cecilia meireles
topic poetics of the memory
traces
symbolism
brazilian and cuban po
etry
cecília meireles
dulce maria loynaz
url http://www.redalyc.org/articulo.oa?id=323127334007
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