A “DECADENT” POET ON THE AESTHETIC “PLANTATIONS” OF THE NEW POETRY

The Lost Generation marks a major moment in the development of contemporary Romanian poetry. The process they start and develop in a rebellious manner in the fifth decade is not limited to theoretical o r ideological positions. Advocating the change in poetry, they propose something in return: their...

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Main Author: Sorin IVAN
Format: Article
Language:deu
Published: Editura Muzeul National al Literaturii Romane 2015-05-01
Series:Diversitate si Identitate Culturala in Europa
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Online Access:http://www.diversite.eu/pdf/12_1/DICE_12.1_Full_Text_p167-p182-Sorin-IVAN.pdf
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author Sorin IVAN
author_facet Sorin IVAN
author_sort Sorin IVAN
collection DOAJ
description The Lost Generation marks a major moment in the development of contemporary Romanian poetry. The process they start and develop in a rebellious manner in the fifth decade is not limited to theoretical o r ideological positions. Advocating the change in poetry, they propose something in return: their own poetry. Another kind of poetry, in the spirit of a new vision and of a new aesthetic, based, paradoxically, on the refusal of aesthetics. The young authors‘ literary offer is remarkable and shows the way to a new kind of poetry, to a new aesthetic canon. Constant Tonegaru is one of the most important poetic voices of this movement, who crystallizes a particular poetic aesthetics. Escapism, fantasy, ir ony and self - irony, bohemian attitudes, intelligence, in an aesthetic context that brings together post - avant - garde, surrealist, neo - modernist and textualist elements, is what defines his aesthetic identity.
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spelling doaj-art-397b406f155c4bd3919c7f20a1fe0f3e2025-08-20T02:23:35ZdeuEditura Muzeul National al Literaturii RomaneDiversitate si Identitate Culturala in Europa2067-09312015-05-0112/12015167182A “DECADENT” POET ON THE AESTHETIC “PLANTATIONS” OF THE NEW POETRYSorin IVAN0„Titu Maiorescu” University of BucharestThe Lost Generation marks a major moment in the development of contemporary Romanian poetry. The process they start and develop in a rebellious manner in the fifth decade is not limited to theoretical o r ideological positions. Advocating the change in poetry, they propose something in return: their own poetry. Another kind of poetry, in the spirit of a new vision and of a new aesthetic, based, paradoxically, on the refusal of aesthetics. The young authors‘ literary offer is remarkable and shows the way to a new kind of poetry, to a new aesthetic canon. Constant Tonegaru is one of the most important poetic voices of this movement, who crystallizes a particular poetic aesthetics. Escapism, fantasy, ir ony and self - irony, bohemian attitudes, intelligence, in an aesthetic context that brings together post - avant - garde, surrealist, neo - modernist and textualist elements, is what defines his aesthetic identity.http://www.diversite.eu/pdf/12_1/DICE_12.1_Full_Text_p167-p182-Sorin-IVAN.pdfAesthetic canonescapismironyp ost - avant - gardesurrealismneo - modernismtextualism
spellingShingle Sorin IVAN
A “DECADENT” POET ON THE AESTHETIC “PLANTATIONS” OF THE NEW POETRY
Diversitate si Identitate Culturala in Europa
Aesthetic canon
escapism
irony
p ost - avant - garde
surrealism
neo - modernism
textualism
title A “DECADENT” POET ON THE AESTHETIC “PLANTATIONS” OF THE NEW POETRY
title_full A “DECADENT” POET ON THE AESTHETIC “PLANTATIONS” OF THE NEW POETRY
title_fullStr A “DECADENT” POET ON THE AESTHETIC “PLANTATIONS” OF THE NEW POETRY
title_full_unstemmed A “DECADENT” POET ON THE AESTHETIC “PLANTATIONS” OF THE NEW POETRY
title_short A “DECADENT” POET ON THE AESTHETIC “PLANTATIONS” OF THE NEW POETRY
title_sort decadent poet on the aesthetic plantations of the new poetry
topic Aesthetic canon
escapism
irony
p ost - avant - garde
surrealism
neo - modernism
textualism
url http://www.diversite.eu/pdf/12_1/DICE_12.1_Full_Text_p167-p182-Sorin-IVAN.pdf
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