De lo popular a lo masivo: la Revolución mexicana en el cine de la época de oro (1936-1959)
In this text we maintain that the representations of the Mexican Revolution in the Golden Age movies show a set of rationalities and speeches that legitimize a well-ordered and sanitized view of the revolution. We claim that these narratives contribute to the articulation and strengthening of cultur...
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| Format: | Article |
| Language: | Spanish |
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Presses universitaires du Midi
2018-06-01
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| Series: | Caravelle |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caravelle/3267 |
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| _version_ | 1841551329688813568 |
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| author | Juan Pablo Silva Escobar |
| author_facet | Juan Pablo Silva Escobar |
| author_sort | Juan Pablo Silva Escobar |
| collection | DOAJ |
| description | In this text we maintain that the representations of the Mexican Revolution in the Golden Age movies show a set of rationalities and speeches that legitimize a well-ordered and sanitized view of the revolution. We claim that these narratives contribute to the articulation and strengthening of cultural nationalism, which introduces a myth – in the Barthesian sense of the term – that tends to legitimize a depoliticized discourse about the armed struggle. |
| format | Article |
| id | doaj-art-394eaeaf32804eae98b75bf9ac51b29d |
| institution | Kabale University |
| issn | 1147-6753 2272-9828 |
| language | Spanish |
| publishDate | 2018-06-01 |
| publisher | Presses universitaires du Midi |
| record_format | Article |
| series | Caravelle |
| spelling | doaj-art-394eaeaf32804eae98b75bf9ac51b29d2025-01-09T16:15:42ZspaPresses universitaires du MidiCaravelle1147-67532272-98282018-06-0111014916210.4000/caravelle.3267De lo popular a lo masivo: la Revolución mexicana en el cine de la época de oro (1936-1959)Juan Pablo Silva EscobarIn this text we maintain that the representations of the Mexican Revolution in the Golden Age movies show a set of rationalities and speeches that legitimize a well-ordered and sanitized view of the revolution. We claim that these narratives contribute to the articulation and strengthening of cultural nationalism, which introduces a myth – in the Barthesian sense of the term – that tends to legitimize a depoliticized discourse about the armed struggle.https://journals.openedition.org/caravelle/3267RepresentationMythIndustrial cinemaPopular cultureIdeology |
| spellingShingle | Juan Pablo Silva Escobar De lo popular a lo masivo: la Revolución mexicana en el cine de la época de oro (1936-1959) Caravelle Representation Myth Industrial cinema Popular culture Ideology |
| title | De lo popular a lo masivo: la Revolución mexicana en el cine de la época de oro (1936-1959) |
| title_full | De lo popular a lo masivo: la Revolución mexicana en el cine de la época de oro (1936-1959) |
| title_fullStr | De lo popular a lo masivo: la Revolución mexicana en el cine de la época de oro (1936-1959) |
| title_full_unstemmed | De lo popular a lo masivo: la Revolución mexicana en el cine de la época de oro (1936-1959) |
| title_short | De lo popular a lo masivo: la Revolución mexicana en el cine de la época de oro (1936-1959) |
| title_sort | de lo popular a lo masivo la revolucion mexicana en el cine de la epoca de oro 1936 1959 |
| topic | Representation Myth Industrial cinema Popular culture Ideology |
| url | https://journals.openedition.org/caravelle/3267 |
| work_keys_str_mv | AT juanpablosilvaescobar delopopularalomasivolarevolucionmexicanaenelcinedelaepocadeoro19361959 |