Les bruits de Madrid. Comment le cinéma écoute la ville
This study focuses on the construction of urban soundscape in six Spanish films which action takes place in Madrid : Surcos (1951) of Antonio Nieves Conde, Los Golfos (1959) of Carlos Saura, ¿Qué he hecho yo para merecer esto! (1984) of Pedro Almodóvar, Madrid (1987) of Basilio Martín Patino, El día...
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| Format: | Article |
| Language: | English |
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Centre de Recherches Ibériques et Ibéro-Américaines
2015-01-01
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| Series: | Cahiers de Civilisation Espagnole Contemporaine |
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| Online Access: | https://journals.openedition.org/ccec/5249 |
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| _version_ | 1832581439636373504 |
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| author | Jean-Paul Aubert |
| author_facet | Jean-Paul Aubert |
| author_sort | Jean-Paul Aubert |
| collection | DOAJ |
| description | This study focuses on the construction of urban soundscape in six Spanish films which action takes place in Madrid : Surcos (1951) of Antonio Nieves Conde, Los Golfos (1959) of Carlos Saura, ¿Qué he hecho yo para merecer esto! (1984) of Pedro Almodóvar, Madrid (1987) of Basilio Martín Patino, El día de la bestia (1995) of Alex de la Iglesia and Barrio (1998) of Fernando León de Aranoa. This paper tries to explore not only the connotative and referential substance of urban sounds, but also its narrative and symbolic functions. |
| format | Article |
| id | doaj-art-38572e3c8ace40078fe58a13a18e9d66 |
| institution | Kabale University |
| issn | 1957-7761 |
| language | English |
| publishDate | 2015-01-01 |
| publisher | Centre de Recherches Ibériques et Ibéro-Américaines |
| record_format | Article |
| series | Cahiers de Civilisation Espagnole Contemporaine |
| spelling | doaj-art-38572e3c8ace40078fe58a13a18e9d662025-01-30T10:10:35ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612015-01-011310.4000/ccec.5249Les bruits de Madrid. Comment le cinéma écoute la villeJean-Paul AubertThis study focuses on the construction of urban soundscape in six Spanish films which action takes place in Madrid : Surcos (1951) of Antonio Nieves Conde, Los Golfos (1959) of Carlos Saura, ¿Qué he hecho yo para merecer esto! (1984) of Pedro Almodóvar, Madrid (1987) of Basilio Martín Patino, El día de la bestia (1995) of Alex de la Iglesia and Barrio (1998) of Fernando León de Aranoa. This paper tries to explore not only the connotative and referential substance of urban sounds, but also its narrative and symbolic functions.https://journals.openedition.org/ccec/5249cinemacitysoundnoise |
| spellingShingle | Jean-Paul Aubert Les bruits de Madrid. Comment le cinéma écoute la ville Cahiers de Civilisation Espagnole Contemporaine cinema city sound noise |
| title | Les bruits de Madrid. Comment le cinéma écoute la ville |
| title_full | Les bruits de Madrid. Comment le cinéma écoute la ville |
| title_fullStr | Les bruits de Madrid. Comment le cinéma écoute la ville |
| title_full_unstemmed | Les bruits de Madrid. Comment le cinéma écoute la ville |
| title_short | Les bruits de Madrid. Comment le cinéma écoute la ville |
| title_sort | les bruits de madrid comment le cinema ecoute la ville |
| topic | cinema city sound noise |
| url | https://journals.openedition.org/ccec/5249 |
| work_keys_str_mv | AT jeanpaulaubert lesbruitsdemadridcommentlecinemaecoutelaville |