Identity Games and Polemics Between the Arts: Marcel Proust and Claude Jutra
Take It All (1964) is a remarkable autofiction film in which the Quebec filmmaker Claude Jutra (1930–1986) responds to Proustian theories about the superiority of literature (a ‘pure art’) over cinema and other arts based on ‘direct imitation of reality’. The article first summarizes Proust’s scept...
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| Format: | Article |
| Language: | ces |
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Univerzita Karlova, Filozofická fakulta
2024-12-01
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| Series: | Slovo a Smysl |
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| Online Access: | https://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2025/01/Eva_Voldbrichova_Berankova_159-168.pdf |
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