The Dialectic Of Text And Performance In Theater: An Applied Reading Of Selected Models

Abstract: The theatrical experience arises from the interplay between dramatic text and performance—two foundational elements connected through a complex dialectic. This study explores the nature of this relationship, asking whether the dramatic text holds primacy by guiding performance, or whether...

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Main Author: Djanette ZERRAD
Format: Article
Language:deu
Published: CRAC, INSAAC 2025-05-01
Series:Akofena
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author Djanette ZERRAD
author_facet Djanette ZERRAD
author_sort Djanette ZERRAD
collection DOAJ
description Abstract: The theatrical experience arises from the interplay between dramatic text and performance—two foundational elements connected through a complex dialectic. This study explores the nature of this relationship, asking whether the dramatic text holds primacy by guiding performance, or whether performance asserts itself as an independent interpretive act, reshaping the text according to cultural, temporal, and spatial contexts. It also questions whether performance can be seen as an autonomous text in its own right, capable of transcending literal representation. Through an applied, comparative reading of selected theatrical models, the study demonstrates how performance reinterprets and transforms textual meaning. This approach emphasizes the composite nature of theatre as an art form that goes beyond the confines of the written script. Ultimately, the research affirms theatrical performance as a site of multiplicity—where meaning is not fixed but continuously negotiated and reimagined. Keywords: Theatre, text, performance, stage, actor.
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institution Kabale University
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series Akofena
spelling doaj-art-3832dae0b9274f8ea5062d691192da532025-08-20T03:45:47ZdeuCRAC, INSAACAkofena2706-63122708-06332025-05-0141610.48734/akofena.n016.vol.4.11.2025The Dialectic Of Text And Performance In Theater: An Applied Reading Of Selected ModelsDjanette ZERRADAbstract: The theatrical experience arises from the interplay between dramatic text and performance—two foundational elements connected through a complex dialectic. This study explores the nature of this relationship, asking whether the dramatic text holds primacy by guiding performance, or whether performance asserts itself as an independent interpretive act, reshaping the text according to cultural, temporal, and spatial contexts. It also questions whether performance can be seen as an autonomous text in its own right, capable of transcending literal representation. Through an applied, comparative reading of selected theatrical models, the study demonstrates how performance reinterprets and transforms textual meaning. This approach emphasizes the composite nature of theatre as an art form that goes beyond the confines of the written script. Ultimately, the research affirms theatrical performance as a site of multiplicity—where meaning is not fixed but continuously negotiated and reimagined. Keywords: Theatre, text, performance, stage, actor.
spellingShingle Djanette ZERRAD
The Dialectic Of Text And Performance In Theater: An Applied Reading Of Selected Models
Akofena
title The Dialectic Of Text And Performance In Theater: An Applied Reading Of Selected Models
title_full The Dialectic Of Text And Performance In Theater: An Applied Reading Of Selected Models
title_fullStr The Dialectic Of Text And Performance In Theater: An Applied Reading Of Selected Models
title_full_unstemmed The Dialectic Of Text And Performance In Theater: An Applied Reading Of Selected Models
title_short The Dialectic Of Text And Performance In Theater: An Applied Reading Of Selected Models
title_sort dialectic of text and performance in theater an applied reading of selected models
work_keys_str_mv AT djanettezerrad thedialecticoftextandperformanceintheateranappliedreadingofselectedmodels
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