L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition
By going back to the critical moment of the cybernetisation of the museum and of the exhibition, this essay aims to put forward a thesis considering exhibition as medium. It elaborates on the notion of medium by contrasting it with Canguilhem’s notion of milieu, in order to redefine it, in a non-sub...
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Format: | Article |
Language: | fra |
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MSH Paris Nord
2017-09-01
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Series: | Appareil |
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Online Access: | https://journals.openedition.org/appareil/2413 |
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author | Yuk Hui Adeena Mey |
author_facet | Yuk Hui Adeena Mey |
author_sort | Yuk Hui |
collection | DOAJ |
description | By going back to the critical moment of the cybernetisation of the museum and of the exhibition, this essay aims to put forward a thesis considering exhibition as medium. It elaborates on the notion of medium by contrasting it with Canguilhem’s notion of milieu, in order to redefine it, in a non-substantialist way, as modulation in light of Simondon’s and Deleuze’s works. It proposes a genealogy of the exhibition as medium and describes a critical historical trajectory shaped by institutional and informational infrastructures. |
format | Article |
id | doaj-art-37d68c13e8a94d40ba1e7f4f63ea6a6f |
institution | Kabale University |
issn | 2101-0714 |
language | fra |
publishDate | 2017-09-01 |
publisher | MSH Paris Nord |
record_format | Article |
series | Appareil |
spelling | doaj-art-37d68c13e8a94d40ba1e7f4f63ea6a6f2025-01-10T14:18:51ZfraMSH Paris NordAppareil2101-07142017-09-011810.4000/appareil.2413L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’expositionYuk HuiAdeena MeyBy going back to the critical moment of the cybernetisation of the museum and of the exhibition, this essay aims to put forward a thesis considering exhibition as medium. It elaborates on the notion of medium by contrasting it with Canguilhem’s notion of milieu, in order to redefine it, in a non-substantialist way, as modulation in light of Simondon’s and Deleuze’s works. It proposes a genealogy of the exhibition as medium and describes a critical historical trajectory shaped by institutional and informational infrastructures.https://journals.openedition.org/appareil/2413SimondoncommunicationmilieuCanguilhemmuséeinformation |
spellingShingle | Yuk Hui Adeena Mey L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition Appareil Simondon communication milieu Canguilhem musée information |
title | L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition |
title_full | L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition |
title_fullStr | L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition |
title_full_unstemmed | L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition |
title_short | L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition |
title_sort | l exposition comme medium quelques observations sur la cybernetisation de l institution et de l exposition |
topic | Simondon communication milieu Canguilhem musée information |
url | https://journals.openedition.org/appareil/2413 |
work_keys_str_mv | AT yukhui lexpositioncommemediumquelquesobservationssurlacybernetisationdelinstitutionetdelexposition AT adeenamey lexpositioncommemediumquelquesobservationssurlacybernetisationdelinstitutionetdelexposition |