Perspectival Strategies in Kate Chopin’s “The Story of an Hour”

The essay focuses on the interplay between the authorial narrative instance and the internally focalized perspective that structures the internal movement of one of Kate Chopin’s most famous texts, “The Story of an Hour” (1894). Chopin’s perspectival choices offer a key to reflect upon the issue at...

Full description

Saved in:
Bibliographic Details
Main Author: Pia Masiero
Format: Article
Language:English
Published: Firenze University Press 2024-12-01
Series:Lea
Subjects:
Online Access:https://oajournals.fupress.net/index.php/bsfm-lea/article/view/15557
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1850185891466706944
author Pia Masiero
author_facet Pia Masiero
author_sort Pia Masiero
collection DOAJ
description The essay focuses on the interplay between the authorial narrative instance and the internally focalized perspective that structures the internal movement of one of Kate Chopin’s most famous texts, “The Story of an Hour” (1894). Chopin’s perspectival choices offer a key to reflect upon the issue at the center of Chopin’s short story, namely, women’s freedom in a patriarchal society. The discrepancy between what the characters know and what readers know triggers a potentially ambivalent ethical and affective engagement which mirrors Chopin’s own positioning.
format Article
id doaj-art-36ed828e72c4443a933ca63e116fb4c2
institution OA Journals
issn 1824-484X
language English
publishDate 2024-12-01
publisher Firenze University Press
record_format Article
series Lea
spelling doaj-art-36ed828e72c4443a933ca63e116fb4c22025-08-20T02:16:33ZengFirenze University PressLea1824-484X2024-12-01139510210.36253/lea-1824-484x-1555714394Perspectival Strategies in Kate Chopin’s “The Story of an Hour”Pia Masiero0Ca’ Foscari UniversityThe essay focuses on the interplay between the authorial narrative instance and the internally focalized perspective that structures the internal movement of one of Kate Chopin’s most famous texts, “The Story of an Hour” (1894). Chopin’s perspectival choices offer a key to reflect upon the issue at the center of Chopin’s short story, namely, women’s freedom in a patriarchal society. The discrepancy between what the characters know and what readers know triggers a potentially ambivalent ethical and affective engagement which mirrors Chopin’s own positioning.https://oajournals.fupress.net/index.php/bsfm-lea/article/view/15557focalizationkate chopinself-assertionsurprise-ending“the story of an hour”
spellingShingle Pia Masiero
Perspectival Strategies in Kate Chopin’s “The Story of an Hour”
Lea
focalization
kate chopin
self-assertion
surprise-ending
“the story of an hour”
title Perspectival Strategies in Kate Chopin’s “The Story of an Hour”
title_full Perspectival Strategies in Kate Chopin’s “The Story of an Hour”
title_fullStr Perspectival Strategies in Kate Chopin’s “The Story of an Hour”
title_full_unstemmed Perspectival Strategies in Kate Chopin’s “The Story of an Hour”
title_short Perspectival Strategies in Kate Chopin’s “The Story of an Hour”
title_sort perspectival strategies in kate chopin s the story of an hour
topic focalization
kate chopin
self-assertion
surprise-ending
“the story of an hour”
url https://oajournals.fupress.net/index.php/bsfm-lea/article/view/15557
work_keys_str_mv AT piamasiero perspectivalstrategiesinkatechopinsthestoryofanhour