Oprah, Meghan, Harry, Pseudo-Events, and a Quick Fix to Boredom

The article uses the 2021 Oprah with Meghan and Harry television special as a case study to discuss pseudo-events and news cycles, which are represented as an antidote to boredom despite their lack of newsworthiness. I trace back today’s pseudo-events to the beginnings of the Graphic Revolution, dur...

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Main Author: Łukasz Muniowski
Format: Article
Language:English
Published: European Association for American Studies 2022-12-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/19125
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author Łukasz Muniowski
author_facet Łukasz Muniowski
author_sort Łukasz Muniowski
collection DOAJ
description The article uses the 2021 Oprah with Meghan and Harry television special as a case study to discuss pseudo-events and news cycles, which are represented as an antidote to boredom despite their lack of newsworthiness. I trace back today’s pseudo-events to the beginnings of the Graphic Revolution, during which news was transformed into a commodity, and its entertaining value gained major significance. As a result, the figure of the entertaining newsman has become more important than the relayed story. In response to the fear of boredom, which grips mass society, instead of only reporting current events, the media started making news, that is producing pseudo-events, which are planned and marketed. In order to explain this process, I discuss Oprah, a talk show giant, as a human pseudo-event and the main reason that 49.1 million watched the special.
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spelling doaj-art-36af012375ae4f4da594410f7d45a6ae2025-01-06T09:08:19ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362022-12-0117410.4000/ejas.19125Oprah, Meghan, Harry, Pseudo-Events, and a Quick Fix to BoredomŁukasz MuniowskiThe article uses the 2021 Oprah with Meghan and Harry television special as a case study to discuss pseudo-events and news cycles, which are represented as an antidote to boredom despite their lack of newsworthiness. I trace back today’s pseudo-events to the beginnings of the Graphic Revolution, during which news was transformed into a commodity, and its entertaining value gained major significance. As a result, the figure of the entertaining newsman has become more important than the relayed story. In response to the fear of boredom, which grips mass society, instead of only reporting current events, the media started making news, that is producing pseudo-events, which are planned and marketed. In order to explain this process, I discuss Oprah, a talk show giant, as a human pseudo-event and the main reason that 49.1 million watched the special.https://journals.openedition.org/ejas/19125celebrityOprah Winfreypseudo-eventsGraphic Revolution
spellingShingle Łukasz Muniowski
Oprah, Meghan, Harry, Pseudo-Events, and a Quick Fix to Boredom
European Journal of American Studies
celebrity
Oprah Winfrey
pseudo-events
Graphic Revolution
title Oprah, Meghan, Harry, Pseudo-Events, and a Quick Fix to Boredom
title_full Oprah, Meghan, Harry, Pseudo-Events, and a Quick Fix to Boredom
title_fullStr Oprah, Meghan, Harry, Pseudo-Events, and a Quick Fix to Boredom
title_full_unstemmed Oprah, Meghan, Harry, Pseudo-Events, and a Quick Fix to Boredom
title_short Oprah, Meghan, Harry, Pseudo-Events, and a Quick Fix to Boredom
title_sort oprah meghan harry pseudo events and a quick fix to boredom
topic celebrity
Oprah Winfrey
pseudo-events
Graphic Revolution
url https://journals.openedition.org/ejas/19125
work_keys_str_mv AT łukaszmuniowski oprahmeghanharrypseudoeventsandaquickfixtoboredom