Zofia Szczupaczyńska wobec wyzwań swoich czasów. Uwagi na marginesie lektury cyklu „krakowskich kryminałów” Maryli Szymiczkowej [właśc. Jacek Dehnel i Piotr Tarczyński]

The ‘Kraków series’ of detective stories by Maryla Szymiczkowa has been interpreted in var­ious contexts. Among them, there were also considerations that situated the tetralogy against the backdrop of contemporary transformations of the ‘crime and punishment’ story (whether the cycle itself can be c...

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Bibliographic Details
Main Author: Adam Mazurkiewicz
Format: Article
Language:deu
Published: Wydawnictwo Uniwersytetu Wrocławskiego 2025-02-01
Series:Literatura i Kultura Popularna
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Online Access:https://wuwr.pl/lkp/article/view/17814
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Summary:The ‘Kraków series’ of detective stories by Maryla Szymiczkowa has been interpreted in var­ious contexts. Among them, there were also considerations that situated the tetralogy against the backdrop of contemporary transformations of the ‘crime and punishment’ story (whether the cycle itself can be considered as representative to crime fiction is a separate issue). Most often, however, the stories about the adventures of the protagonist of the series, Zofia Szczupaczyńska, are situated in the context of nostalgic literature and games taken up by Szymiczkowa. Those in turn lead to the demythologization of the image of Kraków’s ‘Galician-ness’ at the turn of the 19th and 20th centuries, well established in Polish culture, along with the perception of social relations charac­teristic of that period. The tension that arises between artistic creation and historically attested in­formation makes us look at the protagonist of the story as a person functioning in two mutually complementary — but also conflicting — social and moral realities. As a ‘citizen of two worlds,’ Szczupaczyńska remains torn between bourgeois traditionalism and the challenges of the new age.
ISSN:0867-7441
2957-241X