Un corps à soi : la réécriture du blason dans Odes de Sharon Olds

Sharon Olds’ body of work has always been tied to physicality: in a 2017 article, John Freeman calls her “America’s Brave Poet of the Body.” In 2016, she published Odes, a collection of poems inspired by Pablo Neruda’s Odes to Common Things, in which the poet sings of artichokes and wine, praising t...

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Main Author: Juliette Bouanani
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2023-06-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/14573
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author Juliette Bouanani
author_facet Juliette Bouanani
author_sort Juliette Bouanani
collection DOAJ
description Sharon Olds’ body of work has always been tied to physicality: in a 2017 article, John Freeman calls her “America’s Brave Poet of the Body.” In 2016, she published Odes, a collection of poems inspired by Pablo Neruda’s Odes to Common Things, in which the poet sings of artichokes and wine, praising the beauty of daily life and of abstract notions such as love and friendship. Among Sharon Olds’ many Odes, a collection of “body poems” stands out. These poems bring the “blazon” to mind, a French medieval poetic form in which the feminine body is fragmented and mapped, from head to toe. Echoes of Whitman’s “body electric” can be found in the poet’s “blazons” but the poems are not simply praises. They reveal the layered nature of the “feminine body,” a social, political, and cultural notion. Using Camille Froidevaux-Metterie’s reflexions on “embodied” female experience, I will read these poems through the lens of feminist phenomenology, investigating the many facets of Sharon Olds’ rewriting of the male subject / female object dynamic of this poetic form.
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spelling doaj-art-3672d8c29f2548ddb09ae4e7268cb6022025-01-30T13:47:48ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022023-06-013410.4000/sillagescritiques.14573Un corps à soi : la réécriture du blason dans Odes de Sharon OldsJuliette BouananiSharon Olds’ body of work has always been tied to physicality: in a 2017 article, John Freeman calls her “America’s Brave Poet of the Body.” In 2016, she published Odes, a collection of poems inspired by Pablo Neruda’s Odes to Common Things, in which the poet sings of artichokes and wine, praising the beauty of daily life and of abstract notions such as love and friendship. Among Sharon Olds’ many Odes, a collection of “body poems” stands out. These poems bring the “blazon” to mind, a French medieval poetic form in which the feminine body is fragmented and mapped, from head to toe. Echoes of Whitman’s “body electric” can be found in the poet’s “blazons” but the poems are not simply praises. They reveal the layered nature of the “feminine body,” a social, political, and cultural notion. Using Camille Froidevaux-Metterie’s reflexions on “embodied” female experience, I will read these poems through the lens of feminist phenomenology, investigating the many facets of Sharon Olds’ rewriting of the male subject / female object dynamic of this poetic form.https://journals.openedition.org/sillagescritiques/14573anatomycontemporary poetryblazonsubjectfemale bodylyric
spellingShingle Juliette Bouanani
Un corps à soi : la réécriture du blason dans Odes de Sharon Olds
Sillages Critiques
anatomy
contemporary poetry
blazon
subject
female body
lyric
title Un corps à soi : la réécriture du blason dans Odes de Sharon Olds
title_full Un corps à soi : la réécriture du blason dans Odes de Sharon Olds
title_fullStr Un corps à soi : la réécriture du blason dans Odes de Sharon Olds
title_full_unstemmed Un corps à soi : la réécriture du blason dans Odes de Sharon Olds
title_short Un corps à soi : la réécriture du blason dans Odes de Sharon Olds
title_sort un corps a soi la reecriture du blason dans odes de sharon olds
topic anatomy
contemporary poetry
blazon
subject
female body
lyric
url https://journals.openedition.org/sillagescritiques/14573
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