FROM ERNEST HEMINGWAY TO HARUKI MURAKAMI: PRESENCE AND ABSENCE DICHOTOMY, IDENTITY CRISIS AND THE SEARCH FOR MEANING THAT WOMEN CHARACTERS BRING ABOUT IN “IN ANOTHER COUNTRY” AND “KINO”

The stories “In Another Country” in Men Without Women (1927) and “Kino” in Men Without Women (2014) are two different but profoundly related short stories written by Ernest Hemingway and Haruki Murakami respectively. Although these two short stories differ by virtue of spatial and temporal variables...

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Main Author: Zafer Şafak
Format: Article
Language:English
Published: ÇAĞATAY SARP 2023-12-01
Series:Toplum ve Kültür Araştırmaları Dergisi
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Online Access:https://dergipark.org.tr/tr/download/article-file/3346498
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author Zafer Şafak
author_facet Zafer Şafak
author_sort Zafer Şafak
collection DOAJ
description The stories “In Another Country” in Men Without Women (1927) and “Kino” in Men Without Women (2014) are two different but profoundly related short stories written by Ernest Hemingway and Haruki Murakami respectively. Although these two short stories differ by virtue of spatial and temporal variables producing the cultural climate in which the two novelists lived and created their works, by reading these two short stories closely and comparatively, this study aims to point out, prove and comment that both stories reveal the same themes in their narratives as the problematization of men’s relationship with the women together with the impacts of the presence-absence of women figures on men’s lives. The men in “In Another Country” and “Kino”, whose identity crises and search for meaning together with their conditions are analyzed critically, are either proved to be ostensibly indifferent and have some sort of purported stamina or they are implicitly fragile and emotionally imbalanced due to the sorrows they go through and are not able to overcome. Examination of the stories unearths the psychologies of the male characters who have either misunderstood women or misinterpreted their existential conditions. By examining the two short stories critically and comparatively, this study aims to demonstrate while both stories indeed closely revolve around such notions of identity, love, life, unhappiness, isolation and search for meaning in the middle of literal and metaphorical crises due to the presence and absence of one’s beloved, it provides a chance of scrutinizing the intricate dynamics of male and female relationships as well. Focusing on the way through which the dichotomy of presence and absence of female protagonists directs the male protagonists’ course of lives and how it leads them to identity crises and the search for meaning, a comparative analysis and close reading of the two short stories in question are thought to provide rich and evocative results.
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spelling doaj-art-36696fb8e0ee476aa786c528c5f6655d2025-08-20T02:43:58ZengÇAĞATAY SARPToplum ve Kültür Araştırmaları Dergisi2667-58542023-12-0112436210.48131/jscs.13463081892FROM ERNEST HEMINGWAY TO HARUKI MURAKAMI: PRESENCE AND ABSENCE DICHOTOMY, IDENTITY CRISIS AND THE SEARCH FOR MEANING THAT WOMEN CHARACTERS BRING ABOUT IN “IN ANOTHER COUNTRY” AND “KINO”Zafer Şafak0https://orcid.org/0000-0002-5780-4793Iğdır ÜniversitesiThe stories “In Another Country” in Men Without Women (1927) and “Kino” in Men Without Women (2014) are two different but profoundly related short stories written by Ernest Hemingway and Haruki Murakami respectively. Although these two short stories differ by virtue of spatial and temporal variables producing the cultural climate in which the two novelists lived and created their works, by reading these two short stories closely and comparatively, this study aims to point out, prove and comment that both stories reveal the same themes in their narratives as the problematization of men’s relationship with the women together with the impacts of the presence-absence of women figures on men’s lives. The men in “In Another Country” and “Kino”, whose identity crises and search for meaning together with their conditions are analyzed critically, are either proved to be ostensibly indifferent and have some sort of purported stamina or they are implicitly fragile and emotionally imbalanced due to the sorrows they go through and are not able to overcome. Examination of the stories unearths the psychologies of the male characters who have either misunderstood women or misinterpreted their existential conditions. By examining the two short stories critically and comparatively, this study aims to demonstrate while both stories indeed closely revolve around such notions of identity, love, life, unhappiness, isolation and search for meaning in the middle of literal and metaphorical crises due to the presence and absence of one’s beloved, it provides a chance of scrutinizing the intricate dynamics of male and female relationships as well. Focusing on the way through which the dichotomy of presence and absence of female protagonists directs the male protagonists’ course of lives and how it leads them to identity crises and the search for meaning, a comparative analysis and close reading of the two short stories in question are thought to provide rich and evocative results.https://dergipark.org.tr/tr/download/article-file/3346498hemingwaymurakamibir başka ülkede”kinovarlık ve yokluk dikotomisikimlik krizianlam arayışıhemingwaymurakami“in another country”“kino”the dichotomy of presence and absence presenceidentity crisissearch for meaning
spellingShingle Zafer Şafak
FROM ERNEST HEMINGWAY TO HARUKI MURAKAMI: PRESENCE AND ABSENCE DICHOTOMY, IDENTITY CRISIS AND THE SEARCH FOR MEANING THAT WOMEN CHARACTERS BRING ABOUT IN “IN ANOTHER COUNTRY” AND “KINO”
Toplum ve Kültür Araştırmaları Dergisi
hemingway
murakami
bir başka ülkede”
kino
varlık ve yokluk dikotomisi
kimlik krizi
anlam arayışı
hemingway
murakami
“in another country”
“kino”
the dichotomy of presence and absence presence
identity crisis
search for meaning
title FROM ERNEST HEMINGWAY TO HARUKI MURAKAMI: PRESENCE AND ABSENCE DICHOTOMY, IDENTITY CRISIS AND THE SEARCH FOR MEANING THAT WOMEN CHARACTERS BRING ABOUT IN “IN ANOTHER COUNTRY” AND “KINO”
title_full FROM ERNEST HEMINGWAY TO HARUKI MURAKAMI: PRESENCE AND ABSENCE DICHOTOMY, IDENTITY CRISIS AND THE SEARCH FOR MEANING THAT WOMEN CHARACTERS BRING ABOUT IN “IN ANOTHER COUNTRY” AND “KINO”
title_fullStr FROM ERNEST HEMINGWAY TO HARUKI MURAKAMI: PRESENCE AND ABSENCE DICHOTOMY, IDENTITY CRISIS AND THE SEARCH FOR MEANING THAT WOMEN CHARACTERS BRING ABOUT IN “IN ANOTHER COUNTRY” AND “KINO”
title_full_unstemmed FROM ERNEST HEMINGWAY TO HARUKI MURAKAMI: PRESENCE AND ABSENCE DICHOTOMY, IDENTITY CRISIS AND THE SEARCH FOR MEANING THAT WOMEN CHARACTERS BRING ABOUT IN “IN ANOTHER COUNTRY” AND “KINO”
title_short FROM ERNEST HEMINGWAY TO HARUKI MURAKAMI: PRESENCE AND ABSENCE DICHOTOMY, IDENTITY CRISIS AND THE SEARCH FOR MEANING THAT WOMEN CHARACTERS BRING ABOUT IN “IN ANOTHER COUNTRY” AND “KINO”
title_sort from ernest hemingway to haruki murakami presence and absence dichotomy identity crisis and the search for meaning that women characters bring about in in another country and kino
topic hemingway
murakami
bir başka ülkede”
kino
varlık ve yokluk dikotomisi
kimlik krizi
anlam arayışı
hemingway
murakami
“in another country”
“kino”
the dichotomy of presence and absence presence
identity crisis
search for meaning
url https://dergipark.org.tr/tr/download/article-file/3346498
work_keys_str_mv AT zafersafak fromernesthemingwaytoharukimurakamipresenceandabsencedichotomyidentitycrisisandthesearchformeaningthatwomencharactersbringaboutininanothercountryandkino