“JANKO”, THE “FOLK OPERA” LISZT NEVER WROTE

On the basis of his extant correspondence, Liszt planned composing an opera with Hungarian scenes and titled it Janko, der ungarische Rosshirt (Janko, the Hungarian horse-herder). The libretto suggests that the opera fell into the category of the folk play, a short-lived popular performance of the...

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Main Author: Mónika IVÁNYI-PAPP
Format: Article
Language:English
Published: Babeș-Bolyai University 2014-06-01
Series:Studia Universitatis Babeş-Bolyai. Musica
Subjects:
Online Access:https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8822
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author Mónika IVÁNYI-PAPP
author_facet Mónika IVÁNYI-PAPP
author_sort Mónika IVÁNYI-PAPP
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description On the basis of his extant correspondence, Liszt planned composing an opera with Hungarian scenes and titled it Janko, der ungarische Rosshirt (Janko, the Hungarian horse-herder). The libretto suggests that the opera fell into the category of the folk play, a short-lived popular performance of the time, concerning its subject, characters, structure and music. Although he had consulted with librettists, he did not write a single line of the opera. The history of the opera could end here, but one of his composer colleagues Anton G. Rubinstein (the Russian Liszt) composed music on the basis of the libretto and called it Kinder der Heide (Children of the Moorland). Are there historical or musical traces of handing over the libretto? Could references to Hungarian music be found in Rubinstein’s music? And, is the ‘creation’ of a mixed category, the specific class of folk opera involved?
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spelling doaj-art-36415ae507a84a9a8d89a1ed6d8fc2252025-02-11T11:00:59ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282014-06-01591“JANKO”, THE “FOLK OPERA” LISZT NEVER WROTEMónika IVÁNYI-PAPP0FLUM (Franz Liszt University of Music) Department of Musicology PhD design, Janos Wesley Theological College, Budapest and Faculty of Musical Arts, University of Music, Szeged. E-mail address: harmonique_ip@yahoo.co.uk On the basis of his extant correspondence, Liszt planned composing an opera with Hungarian scenes and titled it Janko, der ungarische Rosshirt (Janko, the Hungarian horse-herder). The libretto suggests that the opera fell into the category of the folk play, a short-lived popular performance of the time, concerning its subject, characters, structure and music. Although he had consulted with librettists, he did not write a single line of the opera. The history of the opera could end here, but one of his composer colleagues Anton G. Rubinstein (the Russian Liszt) composed music on the basis of the libretto and called it Kinder der Heide (Children of the Moorland). Are there historical or musical traces of handing over the libretto? Could references to Hungarian music be found in Rubinstein’s music? And, is the ‘creation’ of a mixed category, the specific class of folk opera involved? https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8822operastage works19th century musiccouleur localefolk playFranz Liszt
spellingShingle Mónika IVÁNYI-PAPP
“JANKO”, THE “FOLK OPERA” LISZT NEVER WROTE
Studia Universitatis Babeş-Bolyai. Musica
opera
stage works
19th century music
couleur locale
folk play
Franz Liszt
title “JANKO”, THE “FOLK OPERA” LISZT NEVER WROTE
title_full “JANKO”, THE “FOLK OPERA” LISZT NEVER WROTE
title_fullStr “JANKO”, THE “FOLK OPERA” LISZT NEVER WROTE
title_full_unstemmed “JANKO”, THE “FOLK OPERA” LISZT NEVER WROTE
title_short “JANKO”, THE “FOLK OPERA” LISZT NEVER WROTE
title_sort janko the folk opera liszt never wrote
topic opera
stage works
19th century music
couleur locale
folk play
Franz Liszt
url https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8822
work_keys_str_mv AT monikaivanyipapp jankothefolkoperalisztneverwrote