Rex Hobart, Vladimir Mayakovsky, and Me: Meditations on the Future of Post-Apocalyptic Honky Tonk
Saved in:
| Main Author: | Shane Rowse |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Presses Universitaires du Midi
2020-03-01
|
| Series: | Caliban: French Journal of English Studies |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caliban/7700 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
The Legacy of Nineteen Eighty-Four: British Dystopias, from 1984 to the present day
by: Claire Wrobel
Published: (2022-11-01) -
Living in Death: The New Dystopian Reality of Israeli Settler Colonialism in Gaza
by: Isabela Agostinelli dos Santos, et al.
Published: (2024-12-01) -
Global Crisis and Individual Adaptation in Michèle Laframboise’s “Monarque des glaces” [“Ice Monarch”] (2010)
by: Nicholas Serruys
Published: (2020-03-01) -
The Restrictions of Genre The Television Series The Handmaid’s Tale as a ClassicDystopia
by: Spiegel, Simon
Published: (2024-04-01) -
The Price of Virtual Utopia: Ready Player One as American Dream and Dystopian Nightmare
by: Steiner, Philip
Published: (2024-03-01)