A tensão pós-moderna no cinema
Increasing interest in new special effect technologies has fostered new possibilities in the use of cinema apparatuses. Digital as well as other technologies, which have been used to represent illusion, fantasy or realism, have been a feature of contemporary cinema production. The general underst...
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| Format: | Article |
| Language: | Portuguese |
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Universidade do Vale do Rio dos Sinos (UNISINOS)
2007-01-01
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| Series: | Ciências Sociais Unisinos |
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| Online Access: | http://www.redalyc.org/articulo.oa?id=93843108 |
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| _version_ | 1825207483480670208 |
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| author | Maria Helena Braga e Vaz da Costa |
| author_facet | Maria Helena Braga e Vaz da Costa |
| author_sort | Maria Helena Braga e Vaz da Costa |
| collection | DOAJ |
| description | Increasing interest in new special effect technologies has fostered new possibilities in the
use of cinema apparatuses. Digital as well as other technologies, which have been used to
represent illusion, fantasy or realism, have been a feature of contemporary cinema
production. The general understanding is that cinema´s strength lies in the possibility of
creating images of the real not necessarily the real. This is the key element in the production
of meaning, making cinema a signifying system connected to reality. Starting from different
theories about the condition of post-modernity, this paper discusses contemporary cinema
production by looking at the representation of urban space and violence as well as
new paradigms for representing and understanding cultural identity in post-modernity
and how we represent it through images |
| format | Article |
| id | doaj-art-35caf3e9bd1b46bdb504e299ba6e824b |
| institution | Kabale University |
| issn | 2177-6229 |
| language | Portuguese |
| publishDate | 2007-01-01 |
| publisher | Universidade do Vale do Rio dos Sinos (UNISINOS) |
| record_format | Article |
| series | Ciências Sociais Unisinos |
| spelling | doaj-art-35caf3e9bd1b46bdb504e299ba6e824b2025-02-06T23:31:38ZporUniversidade do Vale do Rio dos Sinos (UNISINOS)Ciências Sociais Unisinos2177-62292007-01-014317985A tensão pós-moderna no cinemaMaria Helena Braga e Vaz da CostaIncreasing interest in new special effect technologies has fostered new possibilities in the use of cinema apparatuses. Digital as well as other technologies, which have been used to represent illusion, fantasy or realism, have been a feature of contemporary cinema production. The general understanding is that cinema´s strength lies in the possibility of creating images of the real not necessarily the real. This is the key element in the production of meaning, making cinema a signifying system connected to reality. Starting from different theories about the condition of post-modernity, this paper discusses contemporary cinema production by looking at the representation of urban space and violence as well as new paradigms for representing and understanding cultural identity in post-modernity and how we represent it through imageshttp://www.redalyc.org/articulo.oa?id=93843108cinemapostmodernityurban spaceviolencecultural identity |
| spellingShingle | Maria Helena Braga e Vaz da Costa A tensão pós-moderna no cinema Ciências Sociais Unisinos cinema post modernity urban space violence cultural identity |
| title | A tensão pós-moderna no cinema |
| title_full | A tensão pós-moderna no cinema |
| title_fullStr | A tensão pós-moderna no cinema |
| title_full_unstemmed | A tensão pós-moderna no cinema |
| title_short | A tensão pós-moderna no cinema |
| title_sort | tensao pos moderna no cinema |
| topic | cinema post modernity urban space violence cultural identity |
| url | http://www.redalyc.org/articulo.oa?id=93843108 |
| work_keys_str_mv | AT mariahelenabragaevazdacosta atensaoposmodernanocinema AT mariahelenabragaevazdacosta tensaoposmodernanocinema |