La mise au tombeau peinte par Antoine de Lonhy dans la cathédrale Saint-Jean-Baptiste à Saint-Jean-de-Maurienne

« La mise au tombeau » (The Entombment) is one of the few known mural paintings by Antoine de Lonhy. It was created in the last quarter of the 15th century for one of the side chapels of the Jean-Baptiste cathedral. Between 2013 and 2014, it was restored and protected after salt marks appeared at th...

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Main Author: Séverine Haberer
Format: Article
Language:English
Published: Association CeROArt 2021-03-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/7312
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author Séverine Haberer
author_facet Séverine Haberer
author_sort Séverine Haberer
collection DOAJ
description « La mise au tombeau » (The Entombment) is one of the few known mural paintings by Antoine de Lonhy. It was created in the last quarter of the 15th century for one of the side chapels of the Jean-Baptiste cathedral. Between 2013 and 2014, it was restored and protected after salt marks appeared at the base of the painting, attacking the colored layer. This mural was discovered by chance in the 1960s, it had been moved at some stage, but never analyzed technically. The restoration work revealed that the artist used the technique of the applied brocades to paint fabrics, an exceptional technique for mural paintings.
format Article
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institution Kabale University
issn 1784-5092
language English
publishDate 2021-03-01
publisher Association CeROArt
record_format Article
series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-357e0b5a800b4ba78c85e830d2f51a6a2025-01-30T14:14:18ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922021-03-0110.4000/ceroart.7312La mise au tombeau peinte par Antoine de Lonhy dans la cathédrale Saint-Jean-Baptiste à Saint-Jean-de-MaurienneSéverine Haberer« La mise au tombeau » (The Entombment) is one of the few known mural paintings by Antoine de Lonhy. It was created in the last quarter of the 15th century for one of the side chapels of the Jean-Baptiste cathedral. Between 2013 and 2014, it was restored and protected after salt marks appeared at the base of the painting, attacking the colored layer. This mural was discovered by chance in the 1960s, it had been moved at some stage, but never analyzed technically. The restoration work revealed that the artist used the technique of the applied brocades to paint fabrics, an exceptional technique for mural paintings.https://journals.openedition.org/ceroart/7312restorationconservationwall paintinggothic paintingapplied brocadeartistic technique
spellingShingle Séverine Haberer
La mise au tombeau peinte par Antoine de Lonhy dans la cathédrale Saint-Jean-Baptiste à Saint-Jean-de-Maurienne
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
restoration
conservation
wall painting
gothic painting
applied brocade
artistic technique
title La mise au tombeau peinte par Antoine de Lonhy dans la cathédrale Saint-Jean-Baptiste à Saint-Jean-de-Maurienne
title_full La mise au tombeau peinte par Antoine de Lonhy dans la cathédrale Saint-Jean-Baptiste à Saint-Jean-de-Maurienne
title_fullStr La mise au tombeau peinte par Antoine de Lonhy dans la cathédrale Saint-Jean-Baptiste à Saint-Jean-de-Maurienne
title_full_unstemmed La mise au tombeau peinte par Antoine de Lonhy dans la cathédrale Saint-Jean-Baptiste à Saint-Jean-de-Maurienne
title_short La mise au tombeau peinte par Antoine de Lonhy dans la cathédrale Saint-Jean-Baptiste à Saint-Jean-de-Maurienne
title_sort la mise au tombeau peinte par antoine de lonhy dans la cathedrale saint jean baptiste a saint jean de maurienne
topic restoration
conservation
wall painting
gothic painting
applied brocade
artistic technique
url https://journals.openedition.org/ceroart/7312
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