Color and tone color: audiovisual crossmodal correspondences with musical instrument timbre
Crossmodal correspondences, or widely shared tendencies for mapping experiences across sensory domains, are revealed in common descriptors of musical timbre such as bright, dark, and warm. Two experiments are reported in which participants listened to recordings of musical instruments playing major...
Saved in:
| Main Authors: | Lindsey Reymore, Delwin T. Lindsey |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Frontiers Media S.A.
2025-01-01
|
| Series: | Frontiers in Psychology |
| Subjects: | |
| Online Access: | https://www.frontiersin.org/articles/10.3389/fpsyg.2024.1520131/full |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
The poetry of senses: exploring semantic mediation in timbre-aroma correspondences
by: Asterios Zacharakis
Published: (2025-02-01) -
O conceito timbre no piano: perspectivas de cinco pianistas pós-graduandos
by: Nayane Nogueira Soares
Published: (2024-12-01) -
Perceptually Correlated Parameters of Musical Instrument Tones
by: James W. BEAUCHAMP
Published: (2013-10-01) -
Composing for Cello: the Experience of Light in Timbre
by: Ivonne Michele Abondano Florez
Published: (2024-05-01) -
PERCEIVED ROUGHNESS OF TWO SIMULTANEOUS HARMONIC COMPLEX TONES
by: Andrzej MIŚKIEWICZ, et al.
Published: (2014-04-01)