Gendered Musicking Among: the Ebira People of Kogi State, Nigeria
The Ebira people view women as the weaker sex. Women are barred from touching and playing certain musical instruments. This study investigates the Ebira people and their musicality. It assesses the basis for such restrictions in the light of the possible benefits to the community if they were remove...
Saved in:
| Main Authors: | Aluede Charles Onomudo, Abdullahi Agatha Ngozi |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Sciendo
2024-12-01
|
| Series: | Musicology Today |
| Subjects: | |
| Online Access: | https://doi.org/10.2478/muso-2024-0004 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Forms of inheritance of musical instruments in the culture of the peoples of the North Caucasus and Kazakhstan
by: A. N. Sokolova, et al.
Published: (2024-09-01) -
Moldavian Csángó Folk Musical Instruments and Ensembles Changes through Temporal, Social, and Political Perspectives
by: József Brauer-Benke
Published: (2025-06-01) -
GENDER DEFINITION OF MUSICAL ART IN THE EDUCATIONAL SYSTEM
by: V. V. Poliuha
Published: (2017-06-01) -
Non-compulsory Instrumental Music Education in Poland and Norway
by: Katarzyna Julia Leikvoll
Published: (2025-07-01) -
Experimental Research on the Neanderthal Musical Instrument from Divje Babe I Cave (Slovenia)
by: Matija Turk, et al.
Published: (2020-08-01)