Miloš Wasserbauer’s Work at the Slovak National Theatre in the 50s and Early 60s of the 20th Century

The article examines the work of opera director Miloš Wasserbauer during the 50s and at the beginning of the 60s of the 20th century in the Slovak National Theatre. Focusing on the staging of new Slovak operas Ján Cikker’s Juro Jánošík and Beg Bajazid, and Eugen Suchoň’s Svätopluk. The author analys...

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Main Author: Kysová Šárka Havlíčková
Format: Article
Language:English
Published: Slovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research Centre 2018-12-01
Series:Slovenské divadlo
Online Access:http://www.degruyter.com/view/j/sd.2018.66.issue-4/sd-2018-0022/sd-2018-0022.xml?format=INT
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author Kysová Šárka Havlíčková
author_facet Kysová Šárka Havlíčková
author_sort Kysová Šárka Havlíčková
collection DOAJ
description The article examines the work of opera director Miloš Wasserbauer during the 50s and at the beginning of the 60s of the 20th century in the Slovak National Theatre. Focusing on the staging of new Slovak operas Ján Cikker’s Juro Jánošík and Beg Bajazid, and Eugen Suchoň’s Svätopluk. The author analyses Wasserbauer’s approach to the productions and Slovak staging tradition from the perspective of the Czech director and the critical reflection of the performances. Special attention is paid to the conceptualisation of Slovak national feeling in the corpus of archive materials.
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spelling doaj-art-32634e2f7e274df78d14ec266a079f822025-08-20T01:52:11ZengSlovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research CentreSlovenské divadlo1336-86052018-12-0166436237910.2478/sd-2018-0022sd-2018-0022Miloš Wasserbauer’s Work at the Slovak National Theatre in the 50s and Early 60s of the 20th CenturyKysová Šárka Havlíčková0Katedra divadelných štúdií, Filozofická fakulta, Masarykovej univerzity, BrnoThe article examines the work of opera director Miloš Wasserbauer during the 50s and at the beginning of the 60s of the 20th century in the Slovak National Theatre. Focusing on the staging of new Slovak operas Ján Cikker’s Juro Jánošík and Beg Bajazid, and Eugen Suchoň’s Svätopluk. The author analyses Wasserbauer’s approach to the productions and Slovak staging tradition from the perspective of the Czech director and the critical reflection of the performances. Special attention is paid to the conceptualisation of Slovak national feeling in the corpus of archive materials.http://www.degruyter.com/view/j/sd.2018.66.issue-4/sd-2018-0022/sd-2018-0022.xml?format=INT
spellingShingle Kysová Šárka Havlíčková
Miloš Wasserbauer’s Work at the Slovak National Theatre in the 50s and Early 60s of the 20th Century
Slovenské divadlo
title Miloš Wasserbauer’s Work at the Slovak National Theatre in the 50s and Early 60s of the 20th Century
title_full Miloš Wasserbauer’s Work at the Slovak National Theatre in the 50s and Early 60s of the 20th Century
title_fullStr Miloš Wasserbauer’s Work at the Slovak National Theatre in the 50s and Early 60s of the 20th Century
title_full_unstemmed Miloš Wasserbauer’s Work at the Slovak National Theatre in the 50s and Early 60s of the 20th Century
title_short Miloš Wasserbauer’s Work at the Slovak National Theatre in the 50s and Early 60s of the 20th Century
title_sort milos wasserbauer s work at the slovak national theatre in the 50s and early 60s of the 20th century
url http://www.degruyter.com/view/j/sd.2018.66.issue-4/sd-2018-0022/sd-2018-0022.xml?format=INT
work_keys_str_mv AT kysovasarkahavlickova miloswasserbauersworkattheslovaknationaltheatreinthe50sandearly60softhe20thcentury