Qu’est-ce qu’une affaire ? James Mackintosh au dépôt des archives du ministère des Affaires étrangères en 1814

Beyond common sense, an "affair" refers to a legal-political model that has its origin in the Calas affair. Historians and anthropologists have identified the structure and functioning of this model, have traced its history and have then analysed their objects in the light of this model. T...

Full description

Saved in:
Bibliographic Details
Main Author: Juliette Deloye
Format: Article
Language:fra
Published: Groupe de Recherches Interdisciplinaires sur l'Histoire du Littéraire 2020-12-01
Series:Les Dossiers du GRIHL
Subjects:
Online Access:https://journals.openedition.org/dossiersgrihl/8108
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1850270601520873472
author Juliette Deloye
author_facet Juliette Deloye
author_sort Juliette Deloye
collection DOAJ
description Beyond common sense, an "affair" refers to a legal-political model that has its origin in the Calas affair. Historians and anthropologists have identified the structure and functioning of this model, have traced its history and have then analysed their objects in the light of this model. The approach proposed here questions the possibilities of examining an "affair" at its proper level, when the term is not a tool of analysis but was used in their time by the actors to set up a political coup. Constructed as a case study, this article focuses on the visit of a British MP, James Mackintosh, to the archives of the Ministry of Foreign Affairs in Paris to write history in the autumn of 1814. In the midst of the Congress of Vienna and shortly after the Restoration of the Bourbons to the throne of France, this visit was not described by the clerks of the repository as scholarly, or courteous. In two virulent memoirs addressed to acting Minister Jaucourt, the archives’ custodian d'Hauterive highlights the diplomatic stakes of Mackintosh's visit, a true event on the scale of the repository. To hinder the visitor, he argues by qualifying the Britishman's ambitions as “literature”: a writer has nothing to do with the depot. By transforming the event into an affair, d'Hauterive acts as a guarantor of the official historical production, defending the historical identity of the repository’s clerks, and shows himself to be a protector of the interests of France, in two memoirs which are all writings rallying to the new regime.
format Article
id doaj-art-324cb57a170b44d2abb703e2fabd76a8
institution OA Journals
issn 1958-9247
language fra
publishDate 2020-12-01
publisher Groupe de Recherches Interdisciplinaires sur l'Histoire du Littéraire
record_format Article
series Les Dossiers du GRIHL
spelling doaj-art-324cb57a170b44d2abb703e2fabd76a82025-08-20T01:52:31ZfraGroupe de Recherches Interdisciplinaires sur l'Histoire du LittéraireLes Dossiers du GRIHL1958-92472020-12-0113210.4000/dossiersgrihl.8108Qu’est-ce qu’une affaire ? James Mackintosh au dépôt des archives du ministère des Affaires étrangères en 1814Juliette DeloyeBeyond common sense, an "affair" refers to a legal-political model that has its origin in the Calas affair. Historians and anthropologists have identified the structure and functioning of this model, have traced its history and have then analysed their objects in the light of this model. The approach proposed here questions the possibilities of examining an "affair" at its proper level, when the term is not a tool of analysis but was used in their time by the actors to set up a political coup. Constructed as a case study, this article focuses on the visit of a British MP, James Mackintosh, to the archives of the Ministry of Foreign Affairs in Paris to write history in the autumn of 1814. In the midst of the Congress of Vienna and shortly after the Restoration of the Bourbons to the throne of France, this visit was not described by the clerks of the repository as scholarly, or courteous. In two virulent memoirs addressed to acting Minister Jaucourt, the archives’ custodian d'Hauterive highlights the diplomatic stakes of Mackintosh's visit, a true event on the scale of the repository. To hinder the visitor, he argues by qualifying the Britishman's ambitions as “literature”: a writer has nothing to do with the depot. By transforming the event into an affair, d'Hauterive acts as a guarantor of the official historical production, defending the historical identity of the repository’s clerks, and shows himself to be a protector of the interests of France, in two memoirs which are all writings rallying to the new regime.https://journals.openedition.org/dossiersgrihl/8108AffairarchivesdisciplineCongress of ViennaLa Fontaine (Jean de)ministry of Foreign Affairs
spellingShingle Juliette Deloye
Qu’est-ce qu’une affaire ? James Mackintosh au dépôt des archives du ministère des Affaires étrangères en 1814
Les Dossiers du GRIHL
Affair
archives
discipline
Congress of Vienna
La Fontaine (Jean de)
ministry of Foreign Affairs
title Qu’est-ce qu’une affaire ? James Mackintosh au dépôt des archives du ministère des Affaires étrangères en 1814
title_full Qu’est-ce qu’une affaire ? James Mackintosh au dépôt des archives du ministère des Affaires étrangères en 1814
title_fullStr Qu’est-ce qu’une affaire ? James Mackintosh au dépôt des archives du ministère des Affaires étrangères en 1814
title_full_unstemmed Qu’est-ce qu’une affaire ? James Mackintosh au dépôt des archives du ministère des Affaires étrangères en 1814
title_short Qu’est-ce qu’une affaire ? James Mackintosh au dépôt des archives du ministère des Affaires étrangères en 1814
title_sort qu est ce qu une affaire james mackintosh au depot des archives du ministere des affaires etrangeres en 1814
topic Affair
archives
discipline
Congress of Vienna
La Fontaine (Jean de)
ministry of Foreign Affairs
url https://journals.openedition.org/dossiersgrihl/8108
work_keys_str_mv AT juliettedeloye questcequuneaffairejamesmackintoshaudepotdesarchivesduministeredesaffairesetrangeresen1814