Interpretation of Cyclic Form in Bach’s “Goldberg Variations” through Performance History
Based on quantitative and qualitative analyses of seventy-six selected recordings spanning the years 1928 to 2020, this article examines the extent to which performers interpret the “Goldberg Variations” as a cycle. To that end, possible tempo relations between the pieces have been analyzed through...
Saved in:
Main Author: | Majid Motavasseli |
---|---|
Format: | Article |
Language: | deu |
Published: |
Gesellschaft für Musiktheorie (GMTH)
2021-11-01
|
Series: | Zeitschrift der Gesellschaft für Musiktheorie |
Subjects: | |
Online Access: | https://storage.gmth.de/zgmth/pdf/1119 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Überlieferte Tempoangaben im 17. und 18. Jahrhundert und ihre mögliche Übertragung auf Bachs ›Goldberg-Variationen‹
by: Michael Hell
Published: (2021-11-01) -
Performing Structure. Tempo in Glenn Gould’s “Goldberg Variations”
by: Michael Rector
Published: (2021-11-01) -
Using Linear Mixed-Effects Models to Analyze Historical Trends in Performance Strategies . Commentary on Majid Motavasseli’s Article “Interpretation of Cyclic Form in Bach’s ‘Goldberg Variations’ through Performance History”
by: Bruno Gingras
Published: (2021-11-01) -
Johann Sebastian Bach in the Eyes of Johann Mattheson: On the Cantata ‘Ich hatte viel Bekümmernis’, BWV 21
by: Katarzyna Korpanty
Published: (2024-06-01) -
Kapelmistrz Ignacego Krasickiego i rękopisy z muzyką Johanna Sebastiana Bacha
by: Tomasz Górny
Published: (2024-10-01)