EDE TERÉNYI – THE MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (III. PART – “PARADISO”)*
Ede Terényi had come across the poetical work La Divina Commedia for the first time at the beginning of the 1970’s. As it was a turning point in his life as well, the work of Dante had a very sensitive influence in his own life as along thirty years of his life, the composer came back thorough his...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
Babeș-Bolyai University
2009-12-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
| Subjects: | |
| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9053 |
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| Summary: | Ede Terényi had come across the poetical work La Divina Commedia for the first time at the beginning of the 1970’s. As it was a turning point in his life as well, the work of Dante had a very sensitive influence in his own life as along thirty years of his life, the composer came back thorough his creations to this subject. His impressions were transposed both in a colour visual form – by creating a series of twenty-five pictures that were entitled Dantesca, and in a musical sonorous form by composing the mono-opera La Divina Commedia. Not only this musical work but also many other musical works from the 1971-2004 have the print of the work of Dante. This study has the short and the analytical presentation of the mono-opera La Divina Commedia by the mirroring of the pictures in the series Dantesca that were signed by the composer.
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| ISSN: | 1844-4369 2065-9628 |