Inside Paul Auster’s Crypt: Autobiography and Spectrality in Ghosts

Ghosts, the second novel in Paul Auster’s The New York Trilogy, can be read as a fictionalized theoretical speculation on autobiography, one that problematizes such oppositions as the auto- and hetero- of biography, the self and the other, the writing of one’s life and the writing of one’s death. Au...

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Main Author: Giorgos GIANNAKOPOULOS
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2017-12-01
Series:E-REA
Subjects:
Online Access:https://journals.openedition.org/erea/6079
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author Giorgos GIANNAKOPOULOS
author_facet Giorgos GIANNAKOPOULOS
author_sort Giorgos GIANNAKOPOULOS
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description Ghosts, the second novel in Paul Auster’s The New York Trilogy, can be read as a fictionalized theoretical speculation on autobiography, one that problematizes such oppositions as the auto- and hetero- of biography, the self and the other, the writing of one’s life and the writing of one’s death. Auster’s writing practices resonate with Jacques Derrida’s insights into the nature of autobiography. Reflecting and complicating his own autobiographical writing, Auster’s early novel assumes the form of a postmodern detective story playing on the motif of criticism that views the criminal as author and the detective as reader while rendering both roles unstable and interchangeable. Detective and criminal are both effects of linguistic operations, trapped in the textual web that is woven around and between them, as texts, letters, and reports circulate and are dispatched in order to return to the sender according to the logic of what Derrida has termed the postal principle.
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spelling doaj-art-319cfb2282884d9a8d607d6eda9330de2025-01-09T12:53:54ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182017-12-0115110.4000/erea.6079Inside Paul Auster’s Crypt: Autobiography and Spectrality in GhostsGiorgos GIANNAKOPOULOSGhosts, the second novel in Paul Auster’s The New York Trilogy, can be read as a fictionalized theoretical speculation on autobiography, one that problematizes such oppositions as the auto- and hetero- of biography, the self and the other, the writing of one’s life and the writing of one’s death. Auster’s writing practices resonate with Jacques Derrida’s insights into the nature of autobiography. Reflecting and complicating his own autobiographical writing, Auster’s early novel assumes the form of a postmodern detective story playing on the motif of criticism that views the criminal as author and the detective as reader while rendering both roles unstable and interchangeable. Detective and criminal are both effects of linguistic operations, trapped in the textual web that is woven around and between them, as texts, letters, and reports circulate and are dispatched in order to return to the sender according to the logic of what Derrida has termed the postal principle.https://journals.openedition.org/erea/6079autobiographydeconstructionPaul AusterJacques Derridaautothanatograhypostal principle
spellingShingle Giorgos GIANNAKOPOULOS
Inside Paul Auster’s Crypt: Autobiography and Spectrality in Ghosts
E-REA
autobiography
deconstruction
Paul Auster
Jacques Derrida
autothanatograhy
postal principle
title Inside Paul Auster’s Crypt: Autobiography and Spectrality in Ghosts
title_full Inside Paul Auster’s Crypt: Autobiography and Spectrality in Ghosts
title_fullStr Inside Paul Auster’s Crypt: Autobiography and Spectrality in Ghosts
title_full_unstemmed Inside Paul Auster’s Crypt: Autobiography and Spectrality in Ghosts
title_short Inside Paul Auster’s Crypt: Autobiography and Spectrality in Ghosts
title_sort inside paul auster s crypt autobiography and spectrality in ghosts
topic autobiography
deconstruction
Paul Auster
Jacques Derrida
autothanatograhy
postal principle
url https://journals.openedition.org/erea/6079
work_keys_str_mv AT giorgosgiannakopoulos insidepaulausterscryptautobiographyandspectralityinghosts