From the Qing Court to the Museum Vitrine

This paper traces the hidden life story of the Yongzheng period (1723–1735) handscroll entitled Guwan tu 古玩圖 (Pictures of Ancient Playthings) from the Victoria and Albert (V&A) Museum, London, with a particular focus on its itinerary after departing from China—a facet often overlooked in contem...

Full description

Saved in:
Bibliographic Details
Main Author: Kexin Ma
Format: Article
Language:English
Published: University of Ljubljana Press (Založba Univerze v Ljubljani) 2025-01-01
Series:Asian Studies
Subjects:
Online Access:https://journals.uni-lj.si/as/article/view/18411
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1841526938857897984
author Kexin Ma
author_facet Kexin Ma
author_sort Kexin Ma
collection DOAJ
description This paper traces the hidden life story of the Yongzheng period (1723–1735) handscroll entitled Guwan tu 古玩圖 (Pictures of Ancient Playthings) from the Victoria and Albert (V&A) Museum, London, with a particular focus on its itinerary after departing from China—a facet often overlooked in contemporary curatorial narratives. Primarily through an examination of the acquisition file housed in the V&A Archive, the paper reveals the network of individuals involved in and beyond the museum who played a role in purchasing the artwork since 1910. Furthermore, the paper delves into the dynamics surrounding the acquisition of artworks from British military officers during the 20th century, exploring the controversies inherent in such acquisitions. In turn, the paper reevaluates the contemporary display of the scroll, which prioritizes the painted subject matter, suggesting a correlation between the display method and the 20th century perception of the scroll as a visual reference for the study of Chinese objects. Through the lens of the scroll, the paper further sheds light on the subjectivity involved in contextualizing “orphaned” objects lost in context in museums. Building upon that, the paper proposes the significance of incorporating the itineraries of objects after they depart from their original findspots into museum narratives, which could offer a fuller understanding of the objects’ identities.
format Article
id doaj-art-31951acf1ead49979bfb26e8f4c50664
institution Kabale University
issn 2232-5131
2350-4226
language English
publishDate 2025-01-01
publisher University of Ljubljana Press (Založba Univerze v Ljubljani)
record_format Article
series Asian Studies
spelling doaj-art-31951acf1ead49979bfb26e8f4c506642025-01-16T08:19:38ZengUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Asian Studies2232-51312350-42262025-01-0113110.4312/as.2025.13.1.263-287From the Qing Court to the Museum VitrineKexin Ma0SOAS University of London, United Kingdom This paper traces the hidden life story of the Yongzheng period (1723–1735) handscroll entitled Guwan tu 古玩圖 (Pictures of Ancient Playthings) from the Victoria and Albert (V&A) Museum, London, with a particular focus on its itinerary after departing from China—a facet often overlooked in contemporary curatorial narratives. Primarily through an examination of the acquisition file housed in the V&A Archive, the paper reveals the network of individuals involved in and beyond the museum who played a role in purchasing the artwork since 1910. Furthermore, the paper delves into the dynamics surrounding the acquisition of artworks from British military officers during the 20th century, exploring the controversies inherent in such acquisitions. In turn, the paper reevaluates the contemporary display of the scroll, which prioritizes the painted subject matter, suggesting a correlation between the display method and the 20th century perception of the scroll as a visual reference for the study of Chinese objects. Through the lens of the scroll, the paper further sheds light on the subjectivity involved in contextualizing “orphaned” objects lost in context in museums. Building upon that, the paper proposes the significance of incorporating the itineraries of objects after they depart from their original findspots into museum narratives, which could offer a fuller understanding of the objects’ identities. https://journals.uni-lj.si/as/article/view/18411Guwan tuprovenanceofficial lootdisplay methodobject itineraries
spellingShingle Kexin Ma
From the Qing Court to the Museum Vitrine
Asian Studies
Guwan tu
provenance
official loot
display method
object itineraries
title From the Qing Court to the Museum Vitrine
title_full From the Qing Court to the Museum Vitrine
title_fullStr From the Qing Court to the Museum Vitrine
title_full_unstemmed From the Qing Court to the Museum Vitrine
title_short From the Qing Court to the Museum Vitrine
title_sort from the qing court to the museum vitrine
topic Guwan tu
provenance
official loot
display method
object itineraries
url https://journals.uni-lj.si/as/article/view/18411
work_keys_str_mv AT kexinma fromtheqingcourttothemuseumvitrine