THE PLACE OF CARNIVAL IN THE CONTEXT OF MIKHAIL BAKHTIN’S PHILOSOPHY
The role that Mikhail Bakhtin’s book on Rabelais, and the carnival theme more generally, plays in Bakhtin’s philosophy is a perennial concern in Bakhtin studies. Indeed, how would one reconcile such ideas as the carnival crowd, the unclear boundaries of the human body in grotesque imagery, or the no...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Russian Academy of Sciences, A.M. Gorky Institute of World Literature
2016-12-01
|
| Series: | Studia Litterarum |
| Subjects: | |
| Online Access: | http://studlit.ru/1-3-4/Sandler.pdf |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1850106055968686080 |
|---|---|
| author | Sergeiy Sandler |
| author_facet | Sergeiy Sandler |
| author_sort | Sergeiy Sandler |
| collection | DOAJ |
| description | The role that Mikhail Bakhtin’s book on Rabelais, and the carnival theme more generally, plays in Bakhtin’s philosophy is a perennial concern in Bakhtin studies. Indeed, how would one reconcile such ideas as the carnival crowd, the unclear boundaries of the human body in grotesque imagery, or the notion of a collective ancestral body, with Bakhtin’s personalism, his emphasis on the impossibility of merging self and other into one? However, Bakhtin himself did not see these notions as incompatible. We find them not only separately, in works from different periods, but also adjacently, for example in the 2 nd edition of his book on Dostoevsky. In this paper, I attempt to reconstruct the philosophical context, in which carnival appears in Bakhtin’s work and to place carnival within the development of Bakhtin’s aesthetics. I follow the process in which Bakhtin’s aesthetics and theory of the novel developed from an early focus on the human image examined from another’s point of view, to the carnivalesque image, dominated by the perspective of the I-for-myself. At the heart of this process stands Bakhtin’s study of how the image of a free and creative individual has been forged in world literature. When we compare the aesthetic views and evaluations espoused by Bakhtin in different periods, we sometimes find sharp reversals in his position. Nevertheless, these reversals are part of a continuous process of development in what can rightly be seen as essentially the same philosophical conception that informs Bakhtin’s work in all periods. |
| format | Article |
| id | doaj-art-313995570069480fa2187b74762c4bc9 |
| institution | OA Journals |
| issn | 2500-4247 2541-8564 |
| language | English |
| publishDate | 2016-12-01 |
| publisher | Russian Academy of Sciences, A.M. Gorky Institute of World Literature |
| record_format | Article |
| series | Studia Litterarum |
| spelling | doaj-art-313995570069480fa2187b74762c4bc92025-08-20T02:38:55ZengRussian Academy of Sciences, A.M. Gorky Institute of World LiteratureStudia Litterarum2500-42472541-85642016-12-0113-4102810.22455/2500-4247-2016-1-3-4-10-28THE PLACE OF CARNIVAL IN THE CONTEXT OF MIKHAIL BAKHTIN’S PHILOSOPHYSergeiy SandlerThe role that Mikhail Bakhtin’s book on Rabelais, and the carnival theme more generally, plays in Bakhtin’s philosophy is a perennial concern in Bakhtin studies. Indeed, how would one reconcile such ideas as the carnival crowd, the unclear boundaries of the human body in grotesque imagery, or the notion of a collective ancestral body, with Bakhtin’s personalism, his emphasis on the impossibility of merging self and other into one? However, Bakhtin himself did not see these notions as incompatible. We find them not only separately, in works from different periods, but also adjacently, for example in the 2 nd edition of his book on Dostoevsky. In this paper, I attempt to reconstruct the philosophical context, in which carnival appears in Bakhtin’s work and to place carnival within the development of Bakhtin’s aesthetics. I follow the process in which Bakhtin’s aesthetics and theory of the novel developed from an early focus on the human image examined from another’s point of view, to the carnivalesque image, dominated by the perspective of the I-for-myself. At the heart of this process stands Bakhtin’s study of how the image of a free and creative individual has been forged in world literature. When we compare the aesthetic views and evaluations espoused by Bakhtin in different periods, we sometimes find sharp reversals in his position. Nevertheless, these reversals are part of a continuous process of development in what can rightly be seen as essentially the same philosophical conception that informs Bakhtin’s work in all periods.http://studlit.ru/1-3-4/Sandler.pdfMikhail BakhtinCarnivalpersonalismtheory of the novelaesthetics |
| spellingShingle | Sergeiy Sandler THE PLACE OF CARNIVAL IN THE CONTEXT OF MIKHAIL BAKHTIN’S PHILOSOPHY Studia Litterarum Mikhail Bakhtin Carnival personalism theory of the novel aesthetics |
| title | THE PLACE OF CARNIVAL IN THE CONTEXT OF MIKHAIL BAKHTIN’S PHILOSOPHY |
| title_full | THE PLACE OF CARNIVAL IN THE CONTEXT OF MIKHAIL BAKHTIN’S PHILOSOPHY |
| title_fullStr | THE PLACE OF CARNIVAL IN THE CONTEXT OF MIKHAIL BAKHTIN’S PHILOSOPHY |
| title_full_unstemmed | THE PLACE OF CARNIVAL IN THE CONTEXT OF MIKHAIL BAKHTIN’S PHILOSOPHY |
| title_short | THE PLACE OF CARNIVAL IN THE CONTEXT OF MIKHAIL BAKHTIN’S PHILOSOPHY |
| title_sort | place of carnival in the context of mikhail bakhtin s philosophy |
| topic | Mikhail Bakhtin Carnival personalism theory of the novel aesthetics |
| url | http://studlit.ru/1-3-4/Sandler.pdf |
| work_keys_str_mv | AT sergeiysandler theplaceofcarnivalinthecontextofmikhailbakhtinsphilosophy AT sergeiysandler placeofcarnivalinthecontextofmikhailbakhtinsphilosophy |