The Cheapest Way to Europe: Illegal Migration and Women Objectification in African Film

This paper explores the dynamics of irregular migration and the objectification of women in Boris Lojkine’s film Hope, highlighting the increasing prominence of these themes in African films. Through an analysis grounded in Martha Nussbaum’s feminist perspectives on objectification, the article exa...

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Main Authors: Stephen Toyin Ogundipe, Rachael Fisayo Ayoade
Format: Article
Language:English
Published: Department of General Studies, Afe Babalola University, Ado-Ekiti 2024-09-01
Series:ABUAD Journal of the Humanities-AGIDIGBO
Subjects:
Online Access:https://journals.abuad.edu.ng/index.php/agidigbo/article/view/921
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author Stephen Toyin Ogundipe
Rachael Fisayo Ayoade
author_facet Stephen Toyin Ogundipe
Rachael Fisayo Ayoade
author_sort Stephen Toyin Ogundipe
collection DOAJ
description This paper explores the dynamics of irregular migration and the objectification of women in Boris Lojkine’s film Hope, highlighting the increasing prominence of these themes in African films. Through an analysis grounded in Martha Nussbaum’s feminist perspectives on objectification, the article examines how the film director portrays the female body as a commodity. The paper posits that sexual objectification is a gendered phenomenon and that the objectified body is almost always the female body. The findings reveal a gendered survival strategy employed by migrants facing insurmountable challenges in their attempts to leave Africa. It concludes that the commodification of female migrants becomes an unavoidable consequence for those who successfully navigate the dangerous and unlawful routes to Europe.
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language English
publishDate 2024-09-01
publisher Department of General Studies, Afe Babalola University, Ado-Ekiti
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series ABUAD Journal of the Humanities-AGIDIGBO
spelling doaj-art-309317cbc4e24dbcbaf6611719b599c32025-08-20T02:13:16ZengDepartment of General Studies, Afe Babalola University, Ado-EkitiABUAD Journal of the Humanities-AGIDIGBO3043-44752024-09-0112110.53982/agidigbo.2024.1201.17-jThe Cheapest Way to Europe: Illegal Migration and Women Objectification in African FilmStephen Toyin Ogundipe0Rachael Fisayo Ayoade1Department of English, Obafemi Awolowo UniversityDepartment of English, Obafemi Awolowo University This paper explores the dynamics of irregular migration and the objectification of women in Boris Lojkine’s film Hope, highlighting the increasing prominence of these themes in African films. Through an analysis grounded in Martha Nussbaum’s feminist perspectives on objectification, the article examines how the film director portrays the female body as a commodity. The paper posits that sexual objectification is a gendered phenomenon and that the objectified body is almost always the female body. The findings reveal a gendered survival strategy employed by migrants facing insurmountable challenges in their attempts to leave Africa. It concludes that the commodification of female migrants becomes an unavoidable consequence for those who successfully navigate the dangerous and unlawful routes to Europe. https://journals.abuad.edu.ng/index.php/agidigbo/article/view/921African FilmCommodificationIrregular MigrationObjectificationWomen Survival Strategy
spellingShingle Stephen Toyin Ogundipe
Rachael Fisayo Ayoade
The Cheapest Way to Europe: Illegal Migration and Women Objectification in African Film
ABUAD Journal of the Humanities-AGIDIGBO
African Film
Commodification
Irregular Migration
Objectification
Women Survival Strategy
title The Cheapest Way to Europe: Illegal Migration and Women Objectification in African Film
title_full The Cheapest Way to Europe: Illegal Migration and Women Objectification in African Film
title_fullStr The Cheapest Way to Europe: Illegal Migration and Women Objectification in African Film
title_full_unstemmed The Cheapest Way to Europe: Illegal Migration and Women Objectification in African Film
title_short The Cheapest Way to Europe: Illegal Migration and Women Objectification in African Film
title_sort cheapest way to europe illegal migration and women objectification in african film
topic African Film
Commodification
Irregular Migration
Objectification
Women Survival Strategy
url https://journals.abuad.edu.ng/index.php/agidigbo/article/view/921
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