Figures de l'anonymat. De quoi Banksy est-il le non ?
Refuse to be named, while pointing art as a new esthetic experience of politics, is a challenge nevertheless regularly damaged by the digital strategies of unveiling of the most famous unknown's name on the street-art area. With his anonymity, Banksy joins masters of the Renaissance whose artis...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2016-01-01
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| Series: | Cahiers de Narratologie |
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| Online Access: | https://journals.openedition.org/narratologie/7398 |
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| _version_ | 1850166775458562048 |
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| author | Marie-Joseph Bertini |
| author_facet | Marie-Joseph Bertini |
| author_sort | Marie-Joseph Bertini |
| collection | DOAJ |
| description | Refuse to be named, while pointing art as a new esthetic experience of politics, is a challenge nevertheless regularly damaged by the digital strategies of unveiling of the most famous unknown's name on the street-art area. With his anonymity, Banksy joins masters of the Renaissance whose artistic virtuosity was strengthened by the impossible identification of the author of the work. The analysis of its performances, the most recent to oldest, will try to understand the meaning of the agir banksyen, hollow artist and relief work. |
| format | Article |
| id | doaj-art-2fb3385ce464418090b6e8a4acd17b99 |
| institution | OA Journals |
| issn | 0993-8516 1765-307X |
| language | fra |
| publishDate | 2016-01-01 |
| publisher | Laboratoire Interdisciplinaire Récits Cultures Et Sociétés |
| record_format | Article |
| series | Cahiers de Narratologie |
| spelling | doaj-art-2fb3385ce464418090b6e8a4acd17b992025-08-20T02:21:21ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2016-01-012910.4000/narratologie.7398Figures de l'anonymat. De quoi Banksy est-il le non ?Marie-Joseph BertiniRefuse to be named, while pointing art as a new esthetic experience of politics, is a challenge nevertheless regularly damaged by the digital strategies of unveiling of the most famous unknown's name on the street-art area. With his anonymity, Banksy joins masters of the Renaissance whose artistic virtuosity was strengthened by the impossible identification of the author of the work. The analysis of its performances, the most recent to oldest, will try to understand the meaning of the agir banksyen, hollow artist and relief work.https://journals.openedition.org/narratologie/7398esthétiqueBanksystreet artanonymatpolitique |
| spellingShingle | Marie-Joseph Bertini Figures de l'anonymat. De quoi Banksy est-il le non ? Cahiers de Narratologie esthétique Banksy street art anonymat politique |
| title | Figures de l'anonymat. De quoi Banksy est-il le non ? |
| title_full | Figures de l'anonymat. De quoi Banksy est-il le non ? |
| title_fullStr | Figures de l'anonymat. De quoi Banksy est-il le non ? |
| title_full_unstemmed | Figures de l'anonymat. De quoi Banksy est-il le non ? |
| title_short | Figures de l'anonymat. De quoi Banksy est-il le non ? |
| title_sort | figures de l anonymat de quoi banksy est il le non |
| topic | esthétique Banksy street art anonymat politique |
| url | https://journals.openedition.org/narratologie/7398 |
| work_keys_str_mv | AT mariejosephbertini figuresdelanonymatdequoibanksyestillenon |