"Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana
“He looked at everything as if through an imaginary camera” – Photography in Ari Folman’s Waltz with Bashir The article analyzes the theme of photography in Ari Folman’s Waltz with Bashir (2008). It shows the relation between photography and narration as well as similarities between the way the...
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| Format: | Article |
| Language: | English |
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Adam Mickiewicz University Press
2015-01-01
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| Series: | Images |
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| Online Access: | https://pressto.amu.edu.pl/index.php/i/article/view/4221 |
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| _version_ | 1849313013780185088 |
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| author | Agnieszka Powierska |
| author_facet | Agnieszka Powierska |
| author_sort | Agnieszka Powierska |
| collection | DOAJ |
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“He looked at everything as if through an imaginary camera” – Photography in Ari Folman’s Waltz with Bashir
The article analyzes the theme of photography in Ari Folman’s Waltz with Bashir (2008). It shows the relation between photography and narration as well as similarities between the way the photographic medium functions and the mechanisms of trauma. The author points out that Folman’s documentary film uses the theme of photography as a metaphor for the characters’ emotional distance to what they experience.
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| format | Article |
| id | doaj-art-2f811cf9c9fe453586f6df750f440608 |
| institution | Kabale University |
| issn | 1731-450X 2720-040X |
| language | English |
| publishDate | 2015-01-01 |
| publisher | Adam Mickiewicz University Press |
| record_format | Article |
| series | Images |
| spelling | doaj-art-2f811cf9c9fe453586f6df750f4406082025-08-20T03:52:52ZengAdam Mickiewicz University PressImages1731-450X2720-040X2015-01-01162510.14746/i.2015.25.10"Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego FolmanaAgnieszka Powierska0Katedra Filmu, Telewizji i Nowych Mediów UAM “He looked at everything as if through an imaginary camera” – Photography in Ari Folman’s Waltz with Bashir The article analyzes the theme of photography in Ari Folman’s Waltz with Bashir (2008). It shows the relation between photography and narration as well as similarities between the way the photographic medium functions and the mechanisms of trauma. The author points out that Folman’s documentary film uses the theme of photography as a metaphor for the characters’ emotional distance to what they experience. https://pressto.amu.edu.pl/index.php/i/article/view/4221Ari FolmanWaltz with BashirphotographytraumaSabra and Shatila massacre |
| spellingShingle | Agnieszka Powierska "Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana Images Ari Folman Waltz with Bashir photography trauma Sabra and Shatila massacre |
| title | "Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana |
| title_full | "Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana |
| title_fullStr | "Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana |
| title_full_unstemmed | "Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana |
| title_short | "Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana |
| title_sort | patrzyl na wszystko jakby przez wizjer fotografia w walcu z baszirem ariego folmana |
| topic | Ari Folman Waltz with Bashir photography trauma Sabra and Shatila massacre |
| url | https://pressto.amu.edu.pl/index.php/i/article/view/4221 |
| work_keys_str_mv | AT agnieszkapowierska patrzyłnawszystkojakbyprzezwizjerfotografiawwalcuzbasziremariegofolmana |