"Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana

“He looked at everything as if through an imaginary camera” – Photography in Ari Folman’s Waltz with Bashir   The article analyzes the theme of photography in Ari Folman’s Waltz with Bashir (2008). It shows the relation between photography and narration as well as similarities between the way the...

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Main Author: Agnieszka Powierska
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2015-01-01
Series:Images
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/4221
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author Agnieszka Powierska
author_facet Agnieszka Powierska
author_sort Agnieszka Powierska
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description “He looked at everything as if through an imaginary camera” – Photography in Ari Folman’s Waltz with Bashir   The article analyzes the theme of photography in Ari Folman’s Waltz with Bashir (2008). It shows the relation between photography and narration as well as similarities between the way the photographic medium functions and the mechanisms of trauma. The author points out that Folman’s documentary film uses the theme of photography as a metaphor for the characters’ emotional distance to what they experience.
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institution Kabale University
issn 1731-450X
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language English
publishDate 2015-01-01
publisher Adam Mickiewicz University Press
record_format Article
series Images
spelling doaj-art-2f811cf9c9fe453586f6df750f4406082025-08-20T03:52:52ZengAdam Mickiewicz University PressImages1731-450X2720-040X2015-01-01162510.14746/i.2015.25.10"Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego FolmanaAgnieszka Powierska0Katedra Filmu, Telewizji i Nowych Mediów UAM “He looked at everything as if through an imaginary camera” – Photography in Ari Folman’s Waltz with Bashir   The article analyzes the theme of photography in Ari Folman’s Waltz with Bashir (2008). It shows the relation between photography and narration as well as similarities between the way the photographic medium functions and the mechanisms of trauma. The author points out that Folman’s documentary film uses the theme of photography as a metaphor for the characters’ emotional distance to what they experience. https://pressto.amu.edu.pl/index.php/i/article/view/4221Ari FolmanWaltz with BashirphotographytraumaSabra and Shatila massacre
spellingShingle Agnieszka Powierska
"Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana
Images
Ari Folman
Waltz with Bashir
photography
trauma
Sabra and Shatila massacre
title "Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana
title_full "Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana
title_fullStr "Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana
title_full_unstemmed "Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana
title_short "Patrzył na wszystko jakby przez wizjer" - fotografia w "Walcu z Baszirem" Ariego Folmana
title_sort patrzyl na wszystko jakby przez wizjer fotografia w walcu z baszirem ariego folmana
topic Ari Folman
Waltz with Bashir
photography
trauma
Sabra and Shatila massacre
url https://pressto.amu.edu.pl/index.php/i/article/view/4221
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