Imágenes y estereotipos del indígena en la producción fílmica de Ciro Guerra: Pájaros de verano
The goal of this article is to study the image of indigenism offered by the Colombian cinema; for this we will look at one of the most awarded directors, Ciro Guerra, and his movie Birds of Passage, released in 2018. In this movie the director focuses on the Wayuu people in the golden period of the...
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| Format: | Article |
| Language: | Spanish |
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Groupe de Recherche Amérique Latine Histoire et Mémoire
2023-06-01
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| Series: | Les Cahiers ALHIM |
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| Online Access: | https://journals.openedition.org/alhim/11535 |
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| author | Carmen Laura Paz Reverol María Dolores Fuentes Bajo |
| author_facet | Carmen Laura Paz Reverol María Dolores Fuentes Bajo |
| author_sort | Carmen Laura Paz Reverol |
| collection | DOAJ |
| description | The goal of this article is to study the image of indigenism offered by the Colombian cinema; for this we will look at one of the most awarded directors, Ciro Guerra, and his movie Birds of Passage, released in 2018. In this movie the director focuses on the Wayuu people in the golden period of the “marimba”. In this sense, we propose to focus our attention on the analysis of the images and stereotypes that are built on the indigenous and that are skillfully shown by Ciro Guerra in his transition from invisibility to vindication. This without leaving aside problems around the drug trafficking that destructure the lives of indigenous people. |
| format | Article |
| id | doaj-art-2f713c78da5d4ea38c667e03d0121dfe |
| institution | Kabale University |
| issn | 1628-6731 1777-5175 |
| language | Spanish |
| publishDate | 2023-06-01 |
| publisher | Groupe de Recherche Amérique Latine Histoire et Mémoire |
| record_format | Article |
| series | Les Cahiers ALHIM |
| spelling | doaj-art-2f713c78da5d4ea38c667e03d0121dfe2025-01-10T14:55:51ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752023-06-014510.4000/alhim.11535Imágenes y estereotipos del indígena en la producción fílmica de Ciro Guerra: Pájaros de veranoCarmen Laura Paz ReverolMaría Dolores Fuentes BajoThe goal of this article is to study the image of indigenism offered by the Colombian cinema; for this we will look at one of the most awarded directors, Ciro Guerra, and his movie Birds of Passage, released in 2018. In this movie the director focuses on the Wayuu people in the golden period of the “marimba”. In this sense, we propose to focus our attention on the analysis of the images and stereotypes that are built on the indigenous and that are skillfully shown by Ciro Guerra in his transition from invisibility to vindication. This without leaving aside problems around the drug trafficking that destructure the lives of indigenous people.https://journals.openedition.org/alhim/11535Colombiaindigenous peoplestereotypewayuuguajira |
| spellingShingle | Carmen Laura Paz Reverol María Dolores Fuentes Bajo Imágenes y estereotipos del indígena en la producción fílmica de Ciro Guerra: Pájaros de verano Les Cahiers ALHIM Colombia indigenous people stereotype wayuu guajira |
| title | Imágenes y estereotipos del indígena en la producción fílmica de Ciro Guerra: Pájaros de verano |
| title_full | Imágenes y estereotipos del indígena en la producción fílmica de Ciro Guerra: Pájaros de verano |
| title_fullStr | Imágenes y estereotipos del indígena en la producción fílmica de Ciro Guerra: Pájaros de verano |
| title_full_unstemmed | Imágenes y estereotipos del indígena en la producción fílmica de Ciro Guerra: Pájaros de verano |
| title_short | Imágenes y estereotipos del indígena en la producción fílmica de Ciro Guerra: Pájaros de verano |
| title_sort | imagenes y estereotipos del indigena en la produccion filmica de ciro guerra pajaros de verano |
| topic | Colombia indigenous people stereotype wayuu guajira |
| url | https://journals.openedition.org/alhim/11535 |
| work_keys_str_mv | AT carmenlaurapazreverol imagenesyestereotiposdelindigenaenlaproduccionfilmicadeciroguerrapajarosdeverano AT mariadoloresfuentesbajo imagenesyestereotiposdelindigenaenlaproduccionfilmicadeciroguerrapajarosdeverano |