Witnessing Trauma in Simon Stephens’ Motortown
Simon Stephens is one of the most important contemporary playwrights whose popularity spreads out both Britain and continental Europe. His Motortown (2006) consists of eight scenes. Having structural order and correlations with each other, these scenes depict notions of fear, violence, anxiety and t...
Saved in:
Main Author: | Mesut Günenç |
---|---|
Format: | Article |
Language: | English |
Published: |
Selcuk University Press
2018-12-01
|
Series: | Selçuk Üniversitesi Edebiyat Fakültesi Dergisi |
Subjects: | |
Online Access: | http://sefad.selcuk.edu.tr/sefad/article/view/904/730 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Frames of violence and recent history in Simon Stephens' Motortown
by: Marion Coste
Published: (2022-01-01) -
L’autre scène dans The Three Birds de Joanna Laurens (2000) : enjeux dramatiques de la réécriture d’un mythe
by: Solange Ayache
Published: (2015-04-01) -
The (In)Human Condition
by: Vicky Angelaki
Published: (2016-07-01) -
Le jardin, lieu esthétique d’un (dés)ordre humain : la naturalisation du politique et du littéraire chez Claude Simon et Patrick Chamoiseau
by: Hannes De Vriese
Published: (2016-08-01) -
Monsters and Heroes: The Ironies of Black Subjectivity in Stephen Crane’s The Monster and Richard Wright’s The Man Who Lived Underground
by: Joseph L. Lewis
Published: (2012-04-01)