Sztuka permutacyjna jako forma oporu w kinie eksperymentalnym

Permutation Art as a Form of Resistance in Experimental Cinema This study aims to present two examples of permutation films as forms through which experimental cinema resisted the reality of the 1970s. The analysis is based on two works by members of the Workshop of the Film Form: “1, 2, 3... Cinema...

Full description

Saved in:
Bibliographic Details
Main Author: FILIP GABRIEL PUDŁO
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2016-10-01
Series:Images
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/7509
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1850279758292582400
author FILIP GABRIEL PUDŁO
author_facet FILIP GABRIEL PUDŁO
author_sort FILIP GABRIEL PUDŁO
collection DOAJ
description Permutation Art as a Form of Resistance in Experimental Cinema This study aims to present two examples of permutation films as forms through which experimental cinema resisted the reality of the 1970s. The analysis is based on two works by members of the Workshop of the Film Form: “1, 2, 3... Cinematographers Exercise” by Paweł Kwiek and “Apnoea” by Wojciech Bruszewski. Analysis and comparison of the two oeuvres is performed with the use of methods characteristic for these types of cinematic forms. This work also discusses the idea and historical context of permutation art and presents its relationship with particular current activities in the field of art.
format Article
id doaj-art-2e5c6f35740445fd93097402228d3a01
institution OA Journals
issn 1731-450X
2720-040X
language English
publishDate 2016-10-01
publisher Adam Mickiewicz University Press
record_format Article
series Images
spelling doaj-art-2e5c6f35740445fd93097402228d3a012025-08-20T01:49:00ZengAdam Mickiewicz University PressImages1731-450X2720-040X2016-10-01182710.14746/i.2016.27.10.Sztuka permutacyjna jako forma oporu w kinie eksperymentalnymFILIP GABRIEL PUDŁO0Lodz Film SchoolPermutation Art as a Form of Resistance in Experimental Cinema This study aims to present two examples of permutation films as forms through which experimental cinema resisted the reality of the 1970s. The analysis is based on two works by members of the Workshop of the Film Form: “1, 2, 3... Cinematographers Exercise” by Paweł Kwiek and “Apnoea” by Wojciech Bruszewski. Analysis and comparison of the two oeuvres is performed with the use of methods characteristic for these types of cinematic forms. This work also discusses the idea and historical context of permutation art and presents its relationship with particular current activities in the field of art. https://pressto.amu.edu.pl/index.php/i/article/view/7509permutation art123... Cinematographer’s ExercisePaweł KwiekApnoea
spellingShingle FILIP GABRIEL PUDŁO
Sztuka permutacyjna jako forma oporu w kinie eksperymentalnym
Images
permutation art
1
2
3... Cinematographer’s Exercise
Paweł Kwiek
Apnoea
title Sztuka permutacyjna jako forma oporu w kinie eksperymentalnym
title_full Sztuka permutacyjna jako forma oporu w kinie eksperymentalnym
title_fullStr Sztuka permutacyjna jako forma oporu w kinie eksperymentalnym
title_full_unstemmed Sztuka permutacyjna jako forma oporu w kinie eksperymentalnym
title_short Sztuka permutacyjna jako forma oporu w kinie eksperymentalnym
title_sort sztuka permutacyjna jako forma oporu w kinie eksperymentalnym
topic permutation art
1
2
3... Cinematographer’s Exercise
Paweł Kwiek
Apnoea
url https://pressto.amu.edu.pl/index.php/i/article/view/7509
work_keys_str_mv AT filipgabrielpudło sztukapermutacyjnajakoformaoporuwkinieeksperymentalnym