‘Why is it that a photograph always looks clear and sharp, — not at all like a Turner?’ John Ruskin & Perceptual Aberration
The presence of the camera becomes prominent among scientific and artistic discourses of the 19th century; it is also fundamental to John Ruskin’s aesthetic theory, as a close study of several of his writings shows. Photography reveals for instance the existence of some physiological distortions in...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2020-06-01
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| Series: | Cahiers Victoriens et Edouardiens |
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| Online Access: | https://journals.openedition.org/cve/7078 |
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