The Symbolism of Nature in the Mamluk Munāẓara: A Study of Some Floral Literary Debates

The literary debate is a distinctive genre of the Arabic literary tradition. Emerging in the Abbasid era, it flourished in Mamluk Egypt, when many compositions in prose and in verses have been produced, exhibiting a wide variety of animate or inanimate actants and themes. These texts have been co...

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Main Author: Tondi, Arianna
Format: Article
Language:English
Published: Fondazione Università Ca’ Foscari 2025-07-01
Series:Annali di Ca’ Foscari: Serie Orientale
Subjects:
Online Access:http://doi.org/10.30687/AnnOr/2385-3042/2025/01/001
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author Tondi, Arianna
author_facet Tondi, Arianna
author_sort Tondi, Arianna
collection DOAJ
description The literary debate is a distinctive genre of the Arabic literary tradition. Emerging in the Abbasid era, it flourished in Mamluk Egypt, when many compositions in prose and in verses have been produced, exhibiting a wide variety of animate or inanimate actants and themes. These texts have been composed for entertainment, with a didactic function, to comment on or symbolically represent aspects of the social reality. In this article, we will focus on the floral literary debate, a specific subtype of the genre that was practised from the third/ninth century. We will analyse a corpus of texts which portray speaking flowers produced from the sixth/twelfth to the ninth/fifteenth century to assess how one of the most classical and practised strands of the genre has been reconfigured between 1100 and 1400 to carry out specific performative and agentive scopes.
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series Annali di Ca’ Foscari: Serie Orientale
spelling doaj-art-2ddc6c1bd08747d29b7c7541895b2e422025-08-20T02:46:29ZengFondazione Università Ca’ FoscariAnnali di Ca’ Foscari: Serie Orientale2385-30422025-07-0161110.30687/AnnOr/2385-3042/2025/01/001journal_article_23818The Symbolism of Nature in the Mamluk Munāẓara: A Study of Some Floral Literary DebatesTondi, Arianna0Università degli Studi di Bergamo, Italia The literary debate is a distinctive genre of the Arabic literary tradition. Emerging in the Abbasid era, it flourished in Mamluk Egypt, when many compositions in prose and in verses have been produced, exhibiting a wide variety of animate or inanimate actants and themes. These texts have been composed for entertainment, with a didactic function, to comment on or symbolically represent aspects of the social reality. In this article, we will focus on the floral literary debate, a specific subtype of the genre that was practised from the third/ninth century. We will analyse a corpus of texts which portray speaking flowers produced from the sixth/twelfth to the ninth/fifteenth century to assess how one of the most classical and practised strands of the genre has been reconfigured between 1100 and 1400 to carry out specific performative and agentive scopes. http://doi.org/10.30687/AnnOr/2385-3042/2025/01/001Flowers. Literary debate. Mamluk literature. Nature. Reality. Text
spellingShingle Tondi, Arianna
The Symbolism of Nature in the Mamluk Munāẓara: A Study of Some Floral Literary Debates
Annali di Ca’ Foscari: Serie Orientale
Flowers. Literary debate. Mamluk literature. Nature. Reality. Text
title The Symbolism of Nature in the Mamluk Munāẓara: A Study of Some Floral Literary Debates
title_full The Symbolism of Nature in the Mamluk Munāẓara: A Study of Some Floral Literary Debates
title_fullStr The Symbolism of Nature in the Mamluk Munāẓara: A Study of Some Floral Literary Debates
title_full_unstemmed The Symbolism of Nature in the Mamluk Munāẓara: A Study of Some Floral Literary Debates
title_short The Symbolism of Nature in the Mamluk Munāẓara: A Study of Some Floral Literary Debates
title_sort symbolism of nature in the mamluk munazara a study of some floral literary debates
topic Flowers. Literary debate. Mamluk literature. Nature. Reality. Text
url http://doi.org/10.30687/AnnOr/2385-3042/2025/01/001
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