The Passion: Jeanette Winterson's Uncanny Mirror of Ink

In keeping with the contradictory nature of the postmodernist ethos, The Passion combines three apparently opposed elements: a realism-enhancing interest in history and story-telling, a heavily parodic and ironic relish in self-referentiality, and the zest for the uncanny epistemological uncertaint...

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Main Author: Susana Onega
Format: Article
Language:English
Published: Universidad de Zaragoza 1993-12-01
Series:Miscelánea: A Journal of English and American Studies
Online Access:https://papiro.unizar.es/ojs/index.php/misc/article/view/11510
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author Susana Onega
author_facet Susana Onega
author_sort Susana Onega
collection DOAJ
description In keeping with the contradictory nature of the postmodernist ethos, The Passion combines three apparently opposed elements: a realism-enhancing interest in history and story-telling, a heavily parodic and ironic relish in self-referentiality, and the zest for the uncanny epistemological uncertainty characteristic of fantasy literature. The combination of these three elements, the historical, the metafictional and the fantastic, produces an overall effect of fragmentation which is, however counterbalanced by the possibility of a unitarian reading of the novel that goes through the perception of its unifying myth: the journey or quest, already hinted at in the novel's epigraph and developed in the text at three major levels: the archetypal, the psychological and that of Tarot symbolism.
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series Miscelánea: A Journal of English and American Studies
spelling doaj-art-2bbe4d620dcf4ef68e5bfef40959820c2025-08-20T03:21:47ZengUniversidad de ZaragozaMiscelánea: A Journal of English and American Studies1137-63682386-48341993-12-011410.26754/ojs_misc/mj.199311510The Passion: Jeanette Winterson's Uncanny Mirror of InkSusana Onega0Universidad de Zaragoza In keeping with the contradictory nature of the postmodernist ethos, The Passion combines three apparently opposed elements: a realism-enhancing interest in history and story-telling, a heavily parodic and ironic relish in self-referentiality, and the zest for the uncanny epistemological uncertainty characteristic of fantasy literature. The combination of these three elements, the historical, the metafictional and the fantastic, produces an overall effect of fragmentation which is, however counterbalanced by the possibility of a unitarian reading of the novel that goes through the perception of its unifying myth: the journey or quest, already hinted at in the novel's epigraph and developed in the text at three major levels: the archetypal, the psychological and that of Tarot symbolism. https://papiro.unizar.es/ojs/index.php/misc/article/view/11510
spellingShingle Susana Onega
The Passion: Jeanette Winterson's Uncanny Mirror of Ink
Miscelánea: A Journal of English and American Studies
title The Passion: Jeanette Winterson's Uncanny Mirror of Ink
title_full The Passion: Jeanette Winterson's Uncanny Mirror of Ink
title_fullStr The Passion: Jeanette Winterson's Uncanny Mirror of Ink
title_full_unstemmed The Passion: Jeanette Winterson's Uncanny Mirror of Ink
title_short The Passion: Jeanette Winterson's Uncanny Mirror of Ink
title_sort passion jeanette winterson s uncanny mirror of ink
url https://papiro.unizar.es/ojs/index.php/misc/article/view/11510
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