Le musée de Sculpture comparée au prisme de la collection de cartes postales éditées par les frères Neurdein (1904-1915)
In putting together a collection that would comprise 1,606 postcards, the Neurdein brothers were responding to a request by the Musée de Sculpture Comparée which attested that, beyond its tourist function, the postcard was envisaged by the director, Camille Enlart, as a real instrument for the diffu...
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| Main Authors: | , |
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| Format: | Article |
| Language: | fra |
| Published: |
École du Louvre
2014-04-01
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| Series: | Les Cahiers de l'École du Louvre |
| Online Access: | https://journals.openedition.org/cel/476 |
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