From a Habit to a Husband

This paper examines how John Ruganda represents the intersection between religion and masculinities in his play, The Burdens (1972), which imagines an ex-Catholic nun marrying and bringing up a family. It argues that literary texts are an important avenue through which the intersection between reli...

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Main Author: Danson Sylvester Kahyana
Format: Article
Language:English
Published: UJ Press 2021-12-01
Series:African Journal of Gender and Religion (AJGR)
Subjects:
Online Access:https://journals.uj.ac.za/index.php/ajgr/article/view/1015
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author Danson Sylvester Kahyana
author_facet Danson Sylvester Kahyana
author_sort Danson Sylvester Kahyana
collection DOAJ
description This paper examines how John Ruganda represents the intersection between religion and masculinities in his play, The Burdens (1972), which imagines an ex-Catholic nun marrying and bringing up a family. It argues that literary texts are an important avenue through which the intersection between religion and gender can be explored, leading to a rich harvest of nuanced insights. Data is collected through a close reading of the play under analysis, within the socio-political context in which it was written and produced, that is, the politically turbulent decade following Uganda's flag independence in 1962, characterised "among others" by events like the abolition of kingdoms by the Prime Minister, Milton Obote, and his ouster in a military coup by his army commander, General Idi Amin, on 25 January, 1971. The analysis of the text is guided by insights drawn from selected scholars of masculinities featured in Helen Nabasuta Mugambi and Tuzyline Jita Allanâ's edited volume, entitled Masculinities in African and Cultural Texts (2010).
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series African Journal of Gender and Religion (AJGR)
spelling doaj-art-2b1fada5903c4a77b3d6101a295239492025-08-20T02:36:53ZengUJ PressAfrican Journal of Gender and Religion (AJGR)2707-29912021-12-0126110.14426/ajgr.v26i1.1015From a Habit to a HusbandDanson Sylvester Kahyana0Makerere University Stellenbosch University This paper examines how John Ruganda represents the intersection between religion and masculinities in his play, The Burdens (1972), which imagines an ex-Catholic nun marrying and bringing up a family. It argues that literary texts are an important avenue through which the intersection between religion and gender can be explored, leading to a rich harvest of nuanced insights. Data is collected through a close reading of the play under analysis, within the socio-political context in which it was written and produced, that is, the politically turbulent decade following Uganda's flag independence in 1962, characterised "among others" by events like the abolition of kingdoms by the Prime Minister, Milton Obote, and his ouster in a military coup by his army commander, General Idi Amin, on 25 January, 1971. The analysis of the text is guided by insights drawn from selected scholars of masculinities featured in Helen Nabasuta Mugambi and Tuzyline Jita Allanâ's edited volume, entitled Masculinities in African and Cultural Texts (2010). https://journals.uj.ac.za/index.php/ajgr/article/view/1015Sexualitymasculinitypovertythe Catholic Church
spellingShingle Danson Sylvester Kahyana
From a Habit to a Husband
African Journal of Gender and Religion (AJGR)
Sexuality
masculinity
poverty
the Catholic Church
title From a Habit to a Husband
title_full From a Habit to a Husband
title_fullStr From a Habit to a Husband
title_full_unstemmed From a Habit to a Husband
title_short From a Habit to a Husband
title_sort from a habit to a husband
topic Sexuality
masculinity
poverty
the Catholic Church
url https://journals.uj.ac.za/index.php/ajgr/article/view/1015
work_keys_str_mv AT dansonsylvesterkahyana fromahabittoahusband