‘Make Sure You Don’t Murder Your Coffee!’ Comedy and Violence in the Poetry of Luke Kennard

This paper discusses the relationship between comedy, violence, and postmodernism in the work of the British poet, Luke Kennard. It has been argued that British poets of the twentieth century have an ambivalent relationship with postmodernism because, while they accept that certainty is elusive, the...

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Main Author: Paul McDonald
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2017-03-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/4840
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author Paul McDonald
author_facet Paul McDonald
author_sort Paul McDonald
collection DOAJ
description This paper discusses the relationship between comedy, violence, and postmodernism in the work of the British poet, Luke Kennard. It has been argued that British poets of the twentieth century have an ambivalent relationship with postmodernism because, while they accept that certainty is elusive, they refuse to ignore meaning and value, and their writing frequently exhibits “an ethical demand.” I claim that this can also be said of Kennard’s twenty first century postmodernist writing. In an analysis of his popular poem, ‘The Murderer,’ I show that what initially seems to be a typically postmodern, morally disengaged treatment of violence, also employs characteristics associated with traditional comedy, and the combination of the two modes of humour creates a space in which values can be reclaimed.
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series Sillages Critiques
spelling doaj-art-2af85b9d1c5f46829651fa63a46a23c62025-01-30T13:47:55ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022017-03-012210.4000/sillagescritiques.4840‘Make Sure You Don’t Murder Your Coffee!’ Comedy and Violence in the Poetry of Luke KennardPaul McDonaldThis paper discusses the relationship between comedy, violence, and postmodernism in the work of the British poet, Luke Kennard. It has been argued that British poets of the twentieth century have an ambivalent relationship with postmodernism because, while they accept that certainty is elusive, they refuse to ignore meaning and value, and their writing frequently exhibits “an ethical demand.” I claim that this can also be said of Kennard’s twenty first century postmodernist writing. In an analysis of his popular poem, ‘The Murderer,’ I show that what initially seems to be a typically postmodern, morally disengaged treatment of violence, also employs characteristics associated with traditional comedy, and the combination of the two modes of humour creates a space in which values can be reclaimed.https://journals.openedition.org/sillagescritiques/4840poetrypostmodernismcomedyblack humourLuke Kennard
spellingShingle Paul McDonald
‘Make Sure You Don’t Murder Your Coffee!’ Comedy and Violence in the Poetry of Luke Kennard
Sillages Critiques
poetry
postmodernism
comedy
black humour
Luke Kennard
title ‘Make Sure You Don’t Murder Your Coffee!’ Comedy and Violence in the Poetry of Luke Kennard
title_full ‘Make Sure You Don’t Murder Your Coffee!’ Comedy and Violence in the Poetry of Luke Kennard
title_fullStr ‘Make Sure You Don’t Murder Your Coffee!’ Comedy and Violence in the Poetry of Luke Kennard
title_full_unstemmed ‘Make Sure You Don’t Murder Your Coffee!’ Comedy and Violence in the Poetry of Luke Kennard
title_short ‘Make Sure You Don’t Murder Your Coffee!’ Comedy and Violence in the Poetry of Luke Kennard
title_sort make sure you don t murder your coffee comedy and violence in the poetry of luke kennard
topic poetry
postmodernism
comedy
black humour
Luke Kennard
url https://journals.openedition.org/sillagescritiques/4840
work_keys_str_mv AT paulmcdonald makesureyoudontmurderyourcoffeecomedyandviolenceinthepoetryoflukekennard