Gleizer, González Tuñón y Gelman: rosas blindadas
This article studies the publication of Juan Gelman’s first collection of poems, Violín y otras cuestiones, published by Manuel Gleizer in 1956 with an introduction by Raúl González Tuñón. It underscores how the reception given by Tuñón to Gelman into the « universal poetic circle of the rose » can...
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| Format: | Article |
| Language: | English |
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Institut des Amériques
2017-10-01
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| Series: | IdeAs |
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| Online Access: | https://journals.openedition.org/ideas/1868 |
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| author | Gema Areta Marigó |
| author_facet | Gema Areta Marigó |
| author_sort | Gema Areta Marigó |
| collection | DOAJ |
| description | This article studies the publication of Juan Gelman’s first collection of poems, Violín y otras cuestiones, published by Manuel Gleizer in 1956 with an introduction by Raúl González Tuñón. It underscores how the reception given by Tuñón to Gelman into the « universal poetic circle of the rose » can only be understood through an examination of his own poetic evolution since the 1930s. It is a revision that goes through various stages in which the communist militancy and the post-Peronist context of the 1950s play a major part. |
| format | Article |
| id | doaj-art-2ac32d5711e646c59ea2ecde238cedd5 |
| institution | Kabale University |
| issn | 1950-5701 |
| language | English |
| publishDate | 2017-10-01 |
| publisher | Institut des Amériques |
| record_format | Article |
| series | IdeAs |
| spelling | doaj-art-2ac32d5711e646c59ea2ecde238cedd52025-08-20T03:48:09ZengInstitut des AmériquesIdeAs1950-57012017-10-01910.4000/ideas.1868Gleizer, González Tuñón y Gelman: rosas blindadasGema Areta MarigóThis article studies the publication of Juan Gelman’s first collection of poems, Violín y otras cuestiones, published by Manuel Gleizer in 1956 with an introduction by Raúl González Tuñón. It underscores how the reception given by Tuñón to Gelman into the « universal poetic circle of the rose » can only be understood through an examination of his own poetic evolution since the 1930s. It is a revision that goes through various stages in which the communist militancy and the post-Peronist context of the 1950s play a major part.https://journals.openedition.org/ideas/1868Manuel GleizerRaúl González TuñónJuan Gelmanpoetryedition |
| spellingShingle | Gema Areta Marigó Gleizer, González Tuñón y Gelman: rosas blindadas IdeAs Manuel Gleizer Raúl González Tuñón Juan Gelman poetry edition |
| title | Gleizer, González Tuñón y Gelman: rosas blindadas |
| title_full | Gleizer, González Tuñón y Gelman: rosas blindadas |
| title_fullStr | Gleizer, González Tuñón y Gelman: rosas blindadas |
| title_full_unstemmed | Gleizer, González Tuñón y Gelman: rosas blindadas |
| title_short | Gleizer, González Tuñón y Gelman: rosas blindadas |
| title_sort | gleizer gonzalez tunon y gelman rosas blindadas |
| topic | Manuel Gleizer Raúl González Tuñón Juan Gelman poetry edition |
| url | https://journals.openedition.org/ideas/1868 |
| work_keys_str_mv | AT gemaaretamarigo gleizergonzaleztunonygelmanrosasblindadas |