Gleizer, González Tuñón y Gelman: rosas blindadas
This article studies the publication of Juan Gelman’s first collection of poems, Violín y otras cuestiones, published by Manuel Gleizer in 1956 with an introduction by Raúl González Tuñón. It underscores how the reception given by Tuñón to Gelman into the « universal poetic circle of the rose » can...
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| Format: | Article |
| Language: | English |
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Institut des Amériques
2017-10-01
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| Series: | IdeAs |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ideas/1868 |
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| Summary: | This article studies the publication of Juan Gelman’s first collection of poems, Violín y otras cuestiones, published by Manuel Gleizer in 1956 with an introduction by Raúl González Tuñón. It underscores how the reception given by Tuñón to Gelman into the « universal poetic circle of the rose » can only be understood through an examination of his own poetic evolution since the 1930s. It is a revision that goes through various stages in which the communist militancy and the post-Peronist context of the 1950s play a major part. |
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| ISSN: | 1950-5701 |