UMWERTUNGEN IN LISZTS WASSER-MUSIK

The magnificence of The fountains of Villa d'Este - which advanced the impressionist music - launched the idea to found out what were the antecedents and maybe the after life of the attitude toward this theme in the Liszt’s life works concerning the music written for piano. My main goal was no...

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Main Author: Márta-Adrienne ELEKES
Format: Article
Language:English
Published: Babeș-Bolyai University 2012-12-01
Series:Studia Universitatis Babeş-Bolyai. Musica
Subjects:
Online Access:https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8902
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author Márta-Adrienne ELEKES
author_facet Márta-Adrienne ELEKES
author_sort Márta-Adrienne ELEKES
collection DOAJ
description The magnificence of The fountains of Villa d'Este - which advanced the impressionist music - launched the idea to found out what were the antecedents and maybe the after life of the attitude toward this theme in the Liszt’s life works concerning the music written for piano. My main goal was not to analyze some works, because anyway it exist a large literature about. I’ve clung into this theme as to a connecting thread which would help me to discover what kind of content attitude could be observed among some works and what kind of musical toolbar was born in the composer’s workshop. To make it simple, what was the meaning or how it happened that this “watery” theme came into the light and in what formal solution was this concluded.
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publishDate 2012-12-01
publisher Babeș-Bolyai University
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series Studia Universitatis Babeş-Bolyai. Musica
spelling doaj-art-2aa31fe4eb5342be86ef819073e909f62025-02-11T11:01:20ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282012-12-01572UMWERTUNGEN IN LISZTS WASSER-MUSIKMárta-Adrienne ELEKES0University of Arts from Târgu-Mureş, Musical Department, Târgu-Mureş, str.Köteles Sámuel nr.6, e-mail: elekes_marta@yahoo.com The magnificence of The fountains of Villa d'Este - which advanced the impressionist music - launched the idea to found out what were the antecedents and maybe the after life of the attitude toward this theme in the Liszt’s life works concerning the music written for piano. My main goal was not to analyze some works, because anyway it exist a large literature about. I’ve clung into this theme as to a connecting thread which would help me to discover what kind of content attitude could be observed among some works and what kind of musical toolbar was born in the composer’s workshop. To make it simple, what was the meaning or how it happened that this “watery” theme came into the light and in what formal solution was this concluded. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8902Liszt’s life workspiano“watery” themediscoverantecedents and after lifemusical toolbar
spellingShingle Márta-Adrienne ELEKES
UMWERTUNGEN IN LISZTS WASSER-MUSIK
Studia Universitatis Babeş-Bolyai. Musica
Liszt’s life works
piano
“watery” theme
discover
antecedents and after life
musical toolbar
title UMWERTUNGEN IN LISZTS WASSER-MUSIK
title_full UMWERTUNGEN IN LISZTS WASSER-MUSIK
title_fullStr UMWERTUNGEN IN LISZTS WASSER-MUSIK
title_full_unstemmed UMWERTUNGEN IN LISZTS WASSER-MUSIK
title_short UMWERTUNGEN IN LISZTS WASSER-MUSIK
title_sort umwertungen in liszts wasser musik
topic Liszt’s life works
piano
“watery” theme
discover
antecedents and after life
musical toolbar
url https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8902
work_keys_str_mv AT martaadrienneelekes umwertungeninlisztswassermusik