La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la Musique
The replicas of experiments or facsimiles are options that are frequently used in valorising musical heritage. Nonetheless, the notion of musical authenticity is quite complex and reconstructing as best one can an instrument is insufficient to bring a sound back to life. If the potential sounds can...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2024-10-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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| Online Access: | https://journals.openedition.org/ceroart/6415 |
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| _version_ | 1832578055601651712 |
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| author | Marie-Anne Loeper-Attia |
| author_facet | Marie-Anne Loeper-Attia |
| author_sort | Marie-Anne Loeper-Attia |
| collection | DOAJ |
| description | The replicas of experiments or facsimiles are options that are frequently used in valorising musical heritage. Nonetheless, the notion of musical authenticity is quite complex and reconstructing as best one can an instrument is insufficient to bring a sound back to life. If the potential sounds can be understood, sound quality is much more subjective. The question will be treated here using a variety of modern and contemporary musical instruments, including a Fender Stratocaster electric guitar, Martenot Waves and a Max Mathews aluminium violin. |
| format | Article |
| id | doaj-art-2a9d7096de454e518888c36838b44033 |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2024-10-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-2a9d7096de454e518888c36838b440332025-01-30T14:14:35ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922024-10-011310.4000/12ld5La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la MusiqueMarie-Anne Loeper-AttiaThe replicas of experiments or facsimiles are options that are frequently used in valorising musical heritage. Nonetheless, the notion of musical authenticity is quite complex and reconstructing as best one can an instrument is insufficient to bring a sound back to life. If the potential sounds can be understood, sound quality is much more subjective. The question will be treated here using a variety of modern and contemporary musical instruments, including a Fender Stratocaster electric guitar, Martenot Waves and a Max Mathews aluminium violin.https://journals.openedition.org/ceroart/6415musical instrumentcopyfacsimileauthenticity soundprepared to play |
| spellingShingle | Marie-Anne Loeper-Attia La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la Musique CeROArt : Conservation, Exposition, Restauration d'Objets d'Art musical instrument copy facsimile authenticity sound prepared to play |
| title | La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la Musique |
| title_full | La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la Musique |
| title_fullStr | La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la Musique |
| title_full_unstemmed | La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la Musique |
| title_short | La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la Musique |
| title_sort | la replique d experience en musique la question de la jouabilite des instruments au musee de la musique |
| topic | musical instrument copy facsimile authenticity sound prepared to play |
| url | https://journals.openedition.org/ceroart/6415 |
| work_keys_str_mv | AT marieanneloeperattia larepliquedexperienceenmusiquelaquestiondelajouabilitedesinstrumentsaumuseedelamusique |