Bill Morrison, l’invité des morts
We are attempting here, by examining Bill Morrison’s 2007 short film Who by water, to identify and to determine the nature of the viewer’s experience and, on that basis, to propose a definition of cinema as a phenomenon rather than a language. From a certain ontological point of view, cinematic imag...
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| Main Authors: | , , |
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| Format: | Article |
| Language: | English |
| Published: |
Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2018-10-01
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| Series: | Mise au Point |
| Subjects: | |
| Online Access: | https://journals.openedition.org/map/2618 |
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