On Topics Today
This article surveys the state of so-called topic theory today. It charts its development through two ‘generations’ of ‘topic theorists’. The first is constructed around three influential texts: Leonard Ratner’s seminal book that established the discipline in its own right, Classic music: expression...
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Gesellschaft für Musiktheorie (GMTH)
2007-01-01
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Series: | Zeitschrift der Gesellschaft für Musiktheorie |
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Online Access: | https://storage.gmth.de/zgmth/pdf/251 |
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author | Nicholas McKay |
author_facet | Nicholas McKay |
author_sort | Nicholas McKay |
collection | DOAJ |
description | This article surveys the state of so-called topic theory today. It charts its development through two ‘generations’ of ‘topic theorists’. The first is constructed around three influential texts: Leonard Ratner’s seminal book that established the discipline in its own right, Classic music: expression, form and style (1980); Wye Allanbrook’s Rhythmic gesture in Mozart: Le nozze di Figaro and Don Giovanni (1983); and Kofi Agawu’s Playing with signs: a semiotic interpretation of classical music (1991). The second comprises significant advances in topic theory essayed through two further pairs of texts: Robert Hatten’s Musical meaning in Beethoven: markedness, correlation, and interpretation (1994) and Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2004); and Raymond Monelle’s Linguistics and semiotics in music (1992) and The sense of music: semiotic essays (2000). |
format | Article |
id | doaj-art-2a3ff03c165145aab03256666defeb5d |
institution | Kabale University |
issn | 1862-6742 |
language | deu |
publishDate | 2007-01-01 |
publisher | Gesellschaft für Musiktheorie (GMTH) |
record_format | Article |
series | Zeitschrift der Gesellschaft für Musiktheorie |
spelling | doaj-art-2a3ff03c165145aab03256666defeb5d2025-02-02T10:56:39ZdeuGesellschaft für Musiktheorie (GMTH)Zeitschrift der Gesellschaft für Musiktheorie1862-67422007-01-0141–215918310.31751/251251On Topics TodayNicholas McKayThis article surveys the state of so-called topic theory today. It charts its development through two ‘generations’ of ‘topic theorists’. The first is constructed around three influential texts: Leonard Ratner’s seminal book that established the discipline in its own right, Classic music: expression, form and style (1980); Wye Allanbrook’s Rhythmic gesture in Mozart: Le nozze di Figaro and Don Giovanni (1983); and Kofi Agawu’s Playing with signs: a semiotic interpretation of classical music (1991). The second comprises significant advances in topic theory essayed through two further pairs of texts: Robert Hatten’s Musical meaning in Beethoven: markedness, correlation, and interpretation (1994) and Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2004); and Raymond Monelle’s Linguistics and semiotics in music (1992) and The sense of music: semiotic essays (2000).https://storage.gmth.de/zgmth/pdf/251history of music theoryGeschichte der Musiktheorie20. Jahrhundert20th centuryTopoimusical topicstopic theoryToposforschung |
spellingShingle | Nicholas McKay On Topics Today Zeitschrift der Gesellschaft für Musiktheorie history of music theory Geschichte der Musiktheorie 20. Jahrhundert 20th century Topoi musical topics topic theory Toposforschung |
title | On Topics Today |
title_full | On Topics Today |
title_fullStr | On Topics Today |
title_full_unstemmed | On Topics Today |
title_short | On Topics Today |
title_sort | on topics today |
topic | history of music theory Geschichte der Musiktheorie 20. Jahrhundert 20th century Topoi musical topics topic theory Toposforschung |
url | https://storage.gmth.de/zgmth/pdf/251 |
work_keys_str_mv | AT nicholasmckay ontopicstoday |